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Consumers on Critique: A Survey of Classical Music Listeners’ Engagement with Professional Music Reviews
16 references·1 citing·47 second hop
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References

  • 1996Changing Highbrow Taste: From Snob to Omnivore2,443 cited
  • 2005What is journalism?1,761 cited
  • 1997Doing Cultural Studies: The Story of the Sony Walkman1,684 cited
  • 1993Cultivating Differences: Symbolic Boundaries and the Making of Inequality.1,196 cited
  • 2001Social Differentiation in Musical Taste Patterns402 cited
  • 2011When materiality ‘bites back’: Digital music consumption practices in the age of dematerialization327 cited
  • 2017Changing Their Tune: How Consumers' Adoption of Online Streaming Affects Music Consumption and Discovery320 cited
  • 2010Capturing Sound297 cited
  • 1994Producing Artistic Value: The Case of Rock Music281 cited
  • 2001Intellectualization and Art World Development: Film in the United States265 cited
  • 2009Sound Souvenirs : Audio Technologies, Memory and Cultural Practices224 cited
  • 2002The Rise of a Jazz Art World206 cited
  • 2017What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector145 cited
  • 2013The vinyl: The analogue medium in the age of digital reproduction119 cited
  • 2013The friendly barbarians: Professional norms and work routines of online journalists in the United States

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118 cited
  • 2008Music, Criticism, and the Challenge of History114 cited
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    • 2023Music consumption and taste internalisation practices among educated Brazilian metal listeners and members of musical scenes4 cited