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“I will survive”: Online streaming and the chart survival of music tracks
16 references·1 citing·45 second hop
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this work references cited by second hop

References

  • 1950Bandwagon, Snob, and Veblen Effects in the Theory of Consumers' Demand2,344 cited
  • 2016Entrepreneurship, Social Mobility, and Income Redistribution in South India1,530 cited
  • 2011Goodbye Pareto Principle, Hello Long Tail: The Effect of Search Costs on the Concentration of Product Sales845 cited
  • 2000Bundling and Competition on the Internet546 cited
  • 2016Stardom and Talent389 cited
  • 2003New-Product Diffusion Models387 cited
  • 2017Changing Their Tune: How Consumers' Adoption of Online Streaming Affects Music Consumption and Discovery320 cited
  • 2023Über Geschmack lässt sich nicht streiten?291 cited
  • 2003Electronic Commerce and Organizational Innovation: Aspects and Opportunities278 cited
  • 2007The Effect of Digital Sharing Technologies on Music Markets: A Survival Analysis of Albums on Ranking Charts249 cited
  • 1991Superstardom in Popular Music: Empirical Evidence208 cited
  • 2010Bye-Bye Bundles: The Unbundling of Music in Digital Channels186 cited
  • 1997THE MARKET FOR MOTION PICTURES: RANK, REVENUE, AND SURVIVAL166 cited
  • 1994A Stochastic Model of Superstardom: An Application of the Yule Distribution162 cited
  • 2009Information and the Skewness of Music Sales

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144 cited
  • 2017As streaming reaches flood stage, does it stimulate or depress music sales?130 cited
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    • 2024Mirroring the inequalities of mainstream music platforms: popularity, revenue, and monetization strategies on Bandcamp14 cited