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Turkish Drama Serials and Arab Audiences: Why Turkish Serials Are Successful in the Arab World
16 references·4 citing·43 second hop
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References

  • 2000Uses and Gratifications Theory in the 21st Century2,809 cited
  • 2008A glossary of literary terms2,013 cited
  • 1985Watching Dallas: Soap Opera and the Melodramatic Imagination1,556 cited
  • 1991Beyond media imperialism: Assymetrical interdependence and cultural proximity774 cited
  • 2016Glossary of Literary Terms - A740 cited
  • 2005Dramas of Nationhood: The Politics of Television in Egypt536 cited
  • 1988Reasons for the US dominance of the international trade in television programmes500 cited
  • 2013Generational differences in content generation in social media: The roles of the gratifications sought and of narcissism412 cited
  • 2004Dramas of Nationhood: The Politics of Television in Egypt262 cited
  • 1970The sociology of mass communications230 cited
  • 1985Interface of personal and mediated communication: A research agenda207 cited
  • 2005Multiple Proximities between Television Genres and Audiences191 cited
  • 2004Feeling Asian Modernities: Transnational Consumption of Japanese TV Dramas174 cited
  • 2004Conceptualizing an East Asian popular culture165 cited
  • 1987Mass communication theory: An introduction, 2nd ed.154 cited

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  • 2013Neo-Ottoman Cool: Turkish Popular Culture in the Arab Public Sphere131 cited
  • Cited by

    • 2023Content is power: Cultural engineering and political control over transnational television12 cited
    • 2023Cosmopolitan imaginary: The reception of Turkish TV series among young audiences in urban, rural, and diasporic settings (Istanbul, Emirdağ, and Brussels)7 cited
    • 2023Neo-Ottoman Turk-Scape: Analyzing the Role of Dizis as Türkiye’s Soft Power7 cited
    • 2023Neo-Ottoman cool west: the drama of Turkish drama in the Bulgarian public sphere6 cited