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Training ecologies for the actor-creator and Gordon Craig’s School for the Art of the Theatre
16 references·0 citing·33 second hop
Training ecologies for the actor-creator and Gordon Craig’s School for the Art of the Theatre (2020)Training ecologies for the actor-creator …Performer Training Reconfigured (2019)Performer Training Reconfigur…Recognising Women’s Work as Creative Work (2018)Recognising Women’s Work as C…The Routledge Companion to Jacques Lecoq (2016)The Routledge Companion to Ja…Theatre/Ecology/Cognition (2012)Theatre/Ecology/CognitionAn actress prepares women and "the method" (2012)An actress prepares women and…Cognitive Ecology as a Framework for Shakespearean Studies (2011)Cognitive Ecology as a Framew…Cognition in the Globe (2011)Cognition in the GlobeOn the Nature of Edward Gordon Craig's Über-Marionette (2010)On the Nature of Edward Gordo…Training of the American actor (2007)Training of the American actorThe art of the actor: the essential history of acting, from classical times to the present day (2007)The art of the actor: the ess…Jacques Copeau (2006)Jacques CopeauPotholes in the Road to Devising (2005)Potholes in the Road to Devis…The moving body : teaching creative theatre (2002)The moving body : teaching cr…Approaches to Acting: Past and Present (2001)Approaches to Acting: Past an…Beyond the Mask: Gordon Craig, Movement, and the Actor, by Irène Eynat-Confino. Carbondale and Edwardsville, Illinois: Southern Illinois University Press, 1987. xiii + 239 pp., illustrations, chronology, bibliography, index. (1992)Beyond the Mask: Gordon Craig…Gordon Craig, the Story of His Life (1969)Gordon Craig, the Story of Hi…Semantics, Culture, and Cognition: Universal Human Concepts in Culture-Specific Configurations (1992)The acoustic world of early modern England: attending to the O-factor (1999)Skilled vision. An apprenticeship in breeding aesthetics (2004)Emerging Boundaries (2014)Distributed Language and Dialogism: notes on non-locality, sense-making and interactivity (2015)Narrative niche construction: memory ecologies and distributed narrative identities (2020)The stagecraft and performance of Roman comedy (2007)Performing Greek Comedy (2011)Performing care (2020)Staging “things”: Realism and the theatrical object in Shepard's theatre (1998)“Symbols in Silence”: Edward Gordon Craig and the Engraving of Wordless Drama (2013)wystarczy tylko otworzyć drzwi… przedmioty w twórczości Tadeusza Kantora (2015)Shakespeare and Memory (2012)Transactive Memory Reconstructed: Rethinking Wegner's Research Program (2016)Shakespeare, Spectatorship and the Technologies of Performance (2020)Scenographic materialism, affordance and extended cognition in Kris Verdonck'sACTOR #1 (2015)Joints and Strings: On the Anatomy of the Performing Body (2016)Fabric Philosophy: The “Texture” of Theatricality and Performativity (2017)The embodied performance pedagogy of Jacques Lecoq (2016)The Routledge Companion to Theatre, Performance, and Cognitive Science (2018)The Body as the Matter of Costume: A Phenomenological Practice (2020)Edward Gordon Craig: The Revolutionary of the Theatre as Hamlet (1987)Contemporary Wayang in Global Contexts (2007)Simultaneity in Modern Stage Design and Drama (2022)The influence of sports on Jacques Lecoq's actor training (2012)Masks as a method: Meyerhold to Mnouchkine (2016)Performing Te Whare Tapa Whā: building on cultural rights to decolonise prison theatre practice (2021)The Effects of Acting Training on Theory of Mind, Empathy, and Emotion Regulation (2010)Monotony, the Churches of Poetry Reading, and Sound Studies (2016)A Psychological Exploration of the Experience of Acting (2019)’Tis Pity She’s a Realist: A Conversational Case Study in Realism and Early Modern Theater Today (2013)Modern Acting (2016)Education in Theatrical Intimacy as Ethical Practice for University Theatre (2019)
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References

  • 2011Cognition in the Globe225 cited
  • 2002The moving body : teaching creative theatre132 cited
  • 2011Cognitive Ecology as a Framework for Shakespearean Studies123 cited
  • 1969Gordon Craig, the Story of His Life45 cited
  • 2007The art of the actor: the essential history of acting, from classical times to the present day42 cited
  • 2016The Routledge Companion to Jacques Lecoq36 cited
  • 2006Jacques Copeau36 cited
  • 2012An actress prepares women and "the method"33 cited
  • 1992Beyond the Mask: Gordon Craig, Movement, and the Actor, by Irène Eynat-Confino. Carbondale and Edwardsville, Illinois: Southern Illinois University Press, 1987. xiii + 239 pp., illustrations, chronology, bibliography, index.31 cited
  • 2012Theatre/Ecology/Cognition21 cited
  • 2018Recognising Women’s Work as Creative Work21 cited
  • 2005Potholes in the Road to Devising19 cited
  • 2010On the Nature of Edward Gordon Craig's Über-Marionette18 cited
  • 2001Approaches to Acting: Past and Present18 cited
  • 2007Training of the American actor18 cited
  • 2019Performer Training Reconfigured

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