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The Oxford Handbook of Cinematic Listening
14 references·2 citing·30 second hop
The Oxford Handbook of Cinematic Listening (2021)The Oxford Handbook of Cinematic ListeningSound unseen: acousmatic sound in theory and practice (2015)Sound unseen: acousmatic soun…Unsettling Melodies: a Cognitive Approach to Incongruent Film Music (2013)Unsettling Melodies: a Cognit…Listening through the noise: the aesthetics of experimental electronic music (2011)Listening through the noise: …Saw heard: musical sound design in contemporary cinema (2009)Saw heard: musical sound desi…Soundscape Composition as Global Music: Electroacoustic music as soundscape (2008)Soundscape Composition as Glo…Background Noise: Perspectives on Sound Art (2006)Background Noise: Perspective…Charms that Soothe: Classical Music and the Narrative Film (2003)Charms that Soothe: Classical…Acoustic Communication (2000)Acoustic CommunicationAnalysing Musical Multimedia (1998)Analysing Musical MultimediaThe Soundscape: Our Sonic Environment and the Tuning of the World (1993)The Soundscape: Our Sonic Env…Strains of utopia: gender, nostalgia, and Hollywood film music (1993)Strains of utopia: gender, no…The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (1989)The Acoustic Mirror: The Fema…The Voice in the Cinema: The Articulation of Body and Space (1980)The Voice in the Cinema: The …Early Sound Counterpoint (1980)Early Sound CounterpointWho Listens? (2025)Who Listens?Art Music, Perfection and Power: Critical Encounters with Classical Music Culture in Contemporary Cinema (2021)Art Music, Perfection and Pow…The Influence of Background Music on the Behavior of Restaurant Patrons (1986)Noise... The Political Economy of Music (1988)Sounding out the city: personal stereos and the management of everyday life (2001)Sound, Listening and Place: The aesthetic dilemma (2012)New (Sound)Waves in Sport Marketing: Do Semantic Differences in Analogous Music Impact Shopping Behaviors of Sport Consumers? (2014)Toward a New, Musical Paradigm of Place: The Port River Symphonic of Chester Schultz (2014)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Soundscapes: Toward a Sounded Anthropology (2010)Beyond Representation and Signification: Toward a Sonic Materialism (2011)The Modalities of Nostalgia (2006)Bridging the Gap: Reconsidering the Border between Diegetic and Nondiegetic Music (2009)Diegetic/Nondiegetic: A Theoretical Model (2009)Audio-vision: sound on screen (1994)Critical pedagogy and predatory culture (1994)Anthropology and Voice (2014)Sound studies without auditory culture: a critique of the ontological turn (2015)The Mortal Voice in the Tragedies of Aeschylus (2017)Sounds of Democracy: Performance, Protest, and Political Subjectivity (2018)Image/Music/Voice: Song Dubbing in Hollywood Musicals (1995)Sound matters: Notes toward the analysis and design of sound in multimodal webtexts (2006)Film, Performance, and the Spaces Between: The Collaborative Works of Mara Mattuschka and Chris Haring (2018)The Sounds of Climate Change: Sonic Rhetoric in the Anthropocene, the Age of Human Impact (2016)Enacting Musical Time (2019)Sound Design is the New Score (2019)Theorizing Musical Meaning (2001)Music—Drastic or Gnostic? (2004)Metaphor in Pictures and Multimodal Representations (2008)Effects of podcast tours on tourist experiences in a national park (2011)Exploring the effect of sound and music on health in hospital settings: A narrative review (2016)Making sense of sound: Visceral sonic mapping as a research tool (2016)
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References

  • 1993The Soundscape: Our Sonic Environment and the Tuning of the World2,494 cited
  • 1989The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema902 cited
  • 1998Analysing Musical Multimedia560 cited
  • 1980The Voice in the Cinema: The Articulation of Body and Space442 cited
  • 2006Background Noise: Perspectives on Sound Art432 cited
  • 2000Acoustic Communication273 cited
  • 2015Sound unseen: acousmatic sound in theory and practice232 cited
  • 2011Listening through the noise: the aesthetics of experimental electronic music165 cited
  • 1993Strains of utopia: gender, nostalgia, and Hollywood film music133 cited
  • 2008Soundscape Composition as Global Music: Electroacoustic music as soundscape122 cited
  • 1980Early Sound Counterpoint71 cited
  • 2003Charms that Soothe: Classical Music and the Narrative Film48 cited
  • 2013Unsettling Melodies: a Cognitive Approach to Incongruent Film Music22 cited
  • 2009Saw heard: musical sound design in contemporary cinema12 cited

Cited by

  • 2021Art Music, Perfection and Power: Critical Encounters with Classical Music Culture in Contemporary Cinema3 cited

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  • 2025Who Listens?2 cited