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‘I gave that cue.’ Integrating dance studies, praxeology, and computational perspectives to model change in the case study of William Forsythe’s Duo
16 references·0 citing·34 second hop
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this work references cited by second hop

References

  • 2004After Method5,233 cited
  • 2002Parables for the Virtual4,646 cited
  • 2005The Practice Turn in Contemporary Theory3,967 cited
  • 2002Parables for the virtual: movement, affect, sensation3,777 cited
  • 1994Unmarked: The Politics of Performance1,810 cited
  • 2003Grundelemente einer Theorie sozialer Praktiken / Basic Elements of a Theory of Social Practices1,619 cited
  • 2003Unmarked820 cited
  • 2009Relationscapes485 cited
  • 2013Always More Than One: Individuation's Dance265 cited
  • 2011William Forsythe and the Practice of Choreography50 cited
  • 2015Dance Becoming Knowledge: Designing a Digital “Body”28 cited
  • 2011Emerging Bodies The Performance of Worldmaking in Dance and Choreography10 cited
  • 2007Talking about Scores: William Forsy the's Vision for a New Form of »Dance Literature«9 cited
  • 2022Recording “Effect”: A case study in technical, practical, and critical perspectives on dance data creation8 cited
  • 2016Diskurs-Choreographien : zur Produktivität des "Nicht" für die zeitgenössische Tanzwissenschaft5 cited
  • 2015Die Logik der Praxis. Methodologische Aspekte einer praxeologischen Produktionsanalyse am Beispiel Das Frühlingsopfer von Pina Bausch

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