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Large‐Scale Structure, Performance and Brahms's Op. 119 No. 2
16 references·0 citing·35 second hop
Large‐Scale Structure, Performance and Brahms's Op. 119 No. 2 (2021)Large‐Scale Structure, Performance and Br…Performing Knowledge: Twentieth-Century Music in Analysis and Performance (2019)Performing Knowledge: Twentie…Enacting Musical Time (2019)Enacting Musical TimeShape as understood by performing musicians (2017)Shape as understood by perfor…Once Again: Page and Stage (2017)Once Again: Page and StageRECORDED ASYNCHRONIES, STRUCTURAL DIALOGUES: BRAHMS’S ADAGIO AFFETTUOSO, OP. 99II, IN THE HANDS OF CASALS AND HORSZOWSKI (2016)RECORDED ASYNCHRONIES, STRUCT…New Perspectives on Music and Gesture (2016)New Perspectives on Music and…Beyond the score: music as performance (2014)Beyond the score: music as pe…Recorded music: philosophical and critical reflections (2008)Recorded music: philosophical…Music as Discourse (2008)Music as DiscoursePerformance Analysis and Chopin's Mazurkas (2007)Performance Analysis and Chop…Performing Brahms : early evidence of performance style (2003)Performing Brahms : early evi…Analysis and (or?) performance (2002)Analysis and (or?) performanceMusical Structure and Performance (1990)Musical Structure and Perform…Musical Structure and Performance (1989)Musical Structure and Perform…On the Relation of Analysis to Performance: Beethoven's "Bagatelles" Op. 126, Nos. 2 and 5 (1985)On the Relation of Analysis t…Sister Outsider: Essays and Speeches (1984)Sister Outsider: Essays and S…Musical Form and Musical Performance (1971)Performance and analysis: interaction and interpretation (1995)Analysing Performance and Performing Analysis (1999)In Respect of Performance: The View from Musicology (2003)The performance teacher as music analyst: a case study (2004)A spiral model of musical decision-making (2014)Course in General Linguistics (1960)Discourse, Consciousness, and Time: The Flow and Displacement of Conscious Experience in Speaking and Writing (1994)Saying something: jazz improvisation and interaction (1997)Hollywood Cadences (2013)Key Components of Musical Discourse Analysis (2013)TRAZOM'S WIT: COMMUNICATIVE STRATEGIES IN A ‘POPULAR’ YET ‘DIFFICULT’ SONATA (2013)Personal Knowledge: Towards a Post-Critical Philosophy (1959)Outline of a Theory of Practice (1977)Institutional Ecology, `Translations' and Boundary Objects: Amateurs and Professionals in Berkeley's Museum of Vertebrate Zoology, 1907-39 (1989)EVOLVEMENT OF SYNCRETIC MUSIC: THE AESTHETIC VALUES OF MALAYSIAN POPULAR AND TRADITIONAL MUSIC (2023)Kaleidoscopic Topics in the Music of György Ligeti and Thomas Adès (2024)‘Nothing Comes Without Its World’: Thinking with Care (2012)Intersectionality (2013)Intersectionality's Definitional Dilemmas (2015)Musical Performance as Interpretation (1995)Work Structure and Musical Representation: Reflections on Adorno's Analyses for Interpretation1 (2007)Musical Forces and Melodic Patterns (2016)Inventing Tradition: Webern's Piano Variations in Early Recordings (2017)Music in Profile (2023)The (f)utility of performance analysis (2023)Translating musical meaning (2023)Dimensions of Musical Creativity (2020)Resonanzaffine Musikvermittlung. Ein dynamisches Modell für starke Musikerlebnisse (2023)Classical and Romantic Performing Practice (2025)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)Phrasierung im 19. Jahrhundert (2023)How Language Began: Gesture and Speech in Human Evolution (2012)Improvisation in teaching and education—roots and applications (2016)
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References

  • 1984Sister Outsider: Essays and Speeches6,817 cited
  • 2014Beyond the score: music as performance623 cited
  • 2016New Perspectives on Music and Gesture207 cited
  • 2003Performing Brahms : early evidence of performance style140 cited
  • 1985On the Relation of Analysis to Performance: Beethoven's "Bagatelles" Op. 126, Nos. 2 and 5124 cited
  • 1989Musical Structure and Performance97 cited
  • 2008Music as Discourse79 cited
  • 2019Enacting Musical Time68 cited
  • 2002Analysis and (or?) performance67 cited
  • 2019Performing Knowledge: Twentieth-Century Music in Analysis and Performance62 cited
  • 1990Musical Structure and Performance61 cited
  • 2008Recorded music: philosophical and critical reflections45 cited
  • 2007Performance Analysis and Chopin's Mazurkas38 cited
  • 2016RECORDED ASYNCHRONIES, STRUCTURAL DIALOGUES: BRAHMS’S ADAGIO AFFETTUOSO, OP. 99II, IN THE HANDS OF CASALS AND HORSZOWSKI28 cited
  • 2017Once Again: Page and Stage22 cited
  • 2017Shape as understood by performing musicians19 cited

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