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Cited by

• 2008Meaning, communication, music: towards a revised communication model28 cited
• 2003Feel the beat come down: house music as rhetoric27 cited
• 2003Is anybody listening?27 cited
• 2003The determining role of performance in the articulation of meaning: the case of ‘Try a Little Tenderness’24 cited
• 1998Children's collaborative music composition : communication through music22 cited
• 2012Trust the artist versus trust the tale: performance implications of talent and self-marketing in folk music20 cited
• 2003Talk and text: popular music and ethnomusicology17 cited
• 2003Pangs of history in late 1970s new-wave rock9 cited
• 2003Jethro Tull and the case for modernism in mass culture8 cited
• 2017Decades of Recorded Music for Children: Norwegian Children’s Phonograms from World War II to the Present7 cited
• 1998Musical quotation an outline of the problem6 cited
• 2003Introduction4 cited
• 2000Primary music teacher education in England and Turkey4 cited
• 2011Verse, chorus (refrain), bridge: Analysing formal structures of the Beatles' songs4 cited
• 1997Is Musical Knowledge Aesthetic or Social? A Pilot Study of Knowledge Formation in Music.