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Ghostly longing: Tonality as grieving in Bell Witch’s Mirror Reaper
12 references·1 citing·41 second hop
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this work references cited by second hop

References

  • 1976Dissonant Prolongation: Theoretical and Compositional Precedents115 cited
  • 2007The melodic-harmonic ‘divorce’ in rock114 cited
  • 2001The Question of Purpose in Music Theory: Description, Suggestion, and Explanation75 cited
  • 2007Re-casting Metal: Rhythm and Meter in the Music of Meshuggah56 cited
  • 2018Difficulty as heaviness: Links between rhythmic difficulty and perceived heaviness in the music of Meshuggah and The Dillinger Escape Plan34 cited
  • 2010Beats that Commute: Algebraic and Kinesthetic Models for Math-Rock Grooves32 cited
  • 2021Compound AABA Form and Style Distinction in Heavy Metal25 cited
  • 2014Troubled air: the drone and doom of reproduction in SunnO)))'s metal maieutic24 cited
  • 2018Rhythmic Deviance in the Music of Meshuggah22 cited
  • 2008Modulation as a Dramatic Agent in Frank Loesser's Broadway Songs13 cited
  • 2010Rhythm and Meter in the Music of Dream Theater9 cited
  • 2013Locating experiential richness in doom metal6 cited

Cited by

  • 2023Harmonic structures in twenty-first-century metal music: A harmonic analysis of five major metal genres3 cited

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