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Reverie, Schmaltz, and the Modernist Imagination
16 references·0 citing·36 second hop
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References

  • 1987After the Great Divide: Modernism, Mass Culture, Postmodernism1,026 cited
  • 1981The Transfiguration of the Commonplace, a Philosophy of Art495 cited
  • 2008The New Modernist Studies376 cited
  • 1999Farewell to an idea: episodes from a history of modernism253 cited
  • 1990Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism217 cited
  • 2002The Rise of a Jazz Art World206 cited
  • 2004The Oxford history of western music197 cited
  • 1965Art and Culture: Critical Essays181 cited
  • 2001Definitional Excursions: The Meanings of Modern/Modernity/Modernism159 cited
  • 1994Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents154 cited
  • 2003The Cambridge Companion to Debussy134 cited
  • 2009Definitional Excursions: The Meanings of Modern/ Modernity/Modernism128 cited
  • 1993Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music76 cited
  • 2002The Business of Music75 cited
  • 1983Debussy in Proportion: A Musical Analysis75 cited
  • 2010Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris, and Vienna

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