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Immersed in Pop
14 references·1 citing·31 second hop
Immersed in Pop (2021)Immersed in PopBlack Rural Feminist Trap: Stylized and Gendered Performativity in Trap Music (2020)Black Rural Feminist Trap: St…The Ashgate Research Companion to Popular Musicology (2016)The Ashgate Research Companio…Song Means: Analysing and Interpreting Recorded Popular Song (2016)Song Means: Analysing and Int…Playing with sound: a theory of interacting with sound and music in video games (2013)Playing with sound: a theory …Queer Voices: Technologies, Vocalities, and the Musical Flaw (2011)Queer Voices: Technologies, V…Bodies That Matter (2011)Bodies That MatterMusical Persona: The Physical Performance of Popular Music (2009)Musical Persona: The Physical…Liveness: performance in a mediatized culture (2008)Liveness: performance in a me…Ways of listening: an ecological approach to the perception of musical meaning (2006)Ways of listening: an ecologi…In the Break: The Aesthetics of the Black Radical Tradition (2004)In the Break: The Aesthetics …Interpreting Popular Music (1999)Interpreting Popular MusicRock: The Primary Text (1994)Rock: The Primary TextFlow. The Psychology of Optimal Experience. New York (HarperPerennial) 1990. (1990)Flow. The Psychology of Optim…The Hidden Dimension (1973)The Hidden Dimension‘A Swarm of Sound’ (2022)‘A Swarm of Sound’Analysing popular music: theory, method and practice (1982)Formal Functions of Metric Dissonance in Rock Music (2014)A Platonic Model of Funky Rhythms (2016)Text-linguistic analysis of performed language: revisiting and re-modeling Koch and Oesterreicher (2021)Space-form and the acousmatic image (2007)What Is Sociological about Music? (2010)Decomposed: a political ecology of music (2015)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)The Mediatization of Society (2008)Taken Out of Context: American Teen Sociality in Networked Publics (2017)Mathematics Black Life (2014)Unbecoming Claims (2014)The Labor of (Re)reading Plantation Landscapes Fungible(ly) (2016)Self-monitoring of expressive behavior. (1974)IEMOCAP: interactive emotional dyadic motion capture database (2008)Customer Experience Creation: Determinants, Dynamics and Management Strategies (2009)Sexing the body: gender politics and the construction of sexuality (2000)Intersectionality as buzzword (2008)Frames of war: when is life grievable? (2010)Claiming Queer Territory in the Study of Subcultures and Popular Music (2013)Digital Voices, Other Rooms: Pussy Riot’s Recalcitrant (In)Corporeality (2015)Empowered or Objectified? Personal Narrative and Audiovisual Aesthetics in Beyoncé’sPartition (2015)His name was Prince: a study of Diamonds and Pearls (1997)Browsing Music Spaces: Categories And The Musi- cal Mind (1999)The Pop Palimpsest: Intertextuality in Recorded Popular Music (2018)A Measure of Subjective Happiness: Preliminary Reliability and Construct Validation (1999)Subjective well-being: Three decades of progress. (1999)The Measurement of Engagement and Burnout: A Two Sample Confirmatory Factor Analytic Approach (2002)Immersion in Digital Fiction (2018)Turn up the volume if you’re feeling lonely: The effect of mobile application sound on consumer outcomes (2021)Reading Digital Fiction (2024)
this work references cited by second hop

References

  • 2011Bodies That Matter10,356 cited
  • 1973The Hidden Dimension4,860 cited
  • 2004In the Break: The Aesthetics of the Black Radical Tradition2,968 cited
  • 1990Flow. The Psychology of Optimal Experience. New York (HarperPerennial) 1990.1,852 cited
  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 2006Ways of listening: an ecological approach to the perception of musical meaning629 cited
  • 2013Playing with sound: a theory of interacting with sound and music in video games163 cited
  • 2016Song Means: Analysing and Interpreting Recorded Popular Song159 cited
  • 2011Queer Voices: Technologies, Vocalities, and the Musical Flaw76 cited
  • 1994Rock: The Primary Text75 cited
  • 2016The Ashgate Research Companion to Popular Musicology51 cited
  • 1999Interpreting Popular Music42 cited
  • 2009Musical Persona: The Physical Performance of Popular Music24 cited
  • 2020Black Rural Feminist Trap: Stylized and Gendered Performativity in Trap Music14 cited

Cited by

  • 2022‘A Swarm of Sound’3 cited

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