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The Sounds of Capitalism
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  • 2017Music Everywhere: Setting a Digital Music Trap35 cited
  • 2018Mobilising African music: how mobile telecommunications and technology firms are transforming African music sectors33 cited
  • 2019Digital Technology and Cultural Practice20 cited
  • 2021A “Fresh New Music Mix” for the 1980s: Broadcasting Multiculturalism on Crossover Radio19 cited
  • 2015From Cautionary Chart-Topper to Friendly Beverage Anthem: Michael Jackson's “Billie Jean” and Pepsi's “Choice of a New Generation” Television Campaign18 cited
  • 2014The erasure of antagonisms between popular music and advertising17 cited
  • 2019The Political Economy of Streaming17 cited
  • 2019Witnessing Race in the New Digital Cinema16 cited
  • 2019On Serving as an Expert Witness in the ‘Blurred Lines’ Case15 cited
  • 2018Formatos y sectores en el branded content musical: videoclip y moda, pop stars de la musicidad14 cited
  • 2015Locating music in capitalism: a view from exile Tibet13 cited
  • 2018Revolutionary songs in a gentrifying city: stylistic change and the economics of salvage in southern Mexico12 cited
  • 2018From Rio to São Paulo: Shifting Urban Landscapes and Global Strategies for Brazilian Music12 cited
  • 2019Toward a History of Digital Music: New Technologies, Business Practices and Intellectual Property Regimes

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12 cited
  • 2019“A Circuit Tour of the Globe”: “Hiawatha” and the Double-Stake of Imperial Pop11 cited
  • 2020Circulation, Value, Exchange, and Music11 cited