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Schubert’s Large-Scale Sentences
16 references·0 citing·23 second hop
Schubert’s Large-Scale Sentences (2021)Schubert’s Large-Scale SentencesBeyond the Classical Cadence: Thematic Closure in Early Romantic Music (2018)Beyond the Classical Cadence:…Thematic and Non-Thematic Textures in Schubert’s Three-Key Expositions (2017)Thematic and Non-Thematic Tex…Schubert and the Construction of Memory: The String Quartet in A minor, D.804 (‘Rosamunde’) (2014)Schubert and the Construction…Formal Functions and Retrospective Reinterpretation in the First Movement of Schubert's String Quintet (2014)Formal Functions and Retrospe…In Search of Romantic Form (2013)In Search of Romantic FormAnalyzing Schubert (2011)Analyzing SchubertSchubert's Sonata Forms and the Poetics of the Lyric (2006)Schubert's Sonata Forms and t…Elements of Sonata Theory (2006)Elements of Sonata TheoryElements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of sonata theory : n…The Classical Cadence: Conceptions and Misconceptions (2004)The Classical Cadence: Concep…Beyond the Beethoven Model: Sentence Types and Limits (2004)Beyond the Beethoven Model: S…Returning CyclesContexts for the Interpretation of Schubert's Impromptus and Last Sonatas (2001)Returning CyclesContexts for …Classical Form (1998)Classical FormClassical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical form : a theory of …Schubert's Sonata Form and Brahms's First Maturity (II) (1979)Schubert's Sonata Form and Br…Schubert's Sonata Form and Brahms's First Maturity (1978)Schubert's Sonata Form and Br…Style and Idea (1950)Musical Form and Musical Performance (1971)The classical style: Haydn, Mozart, Beethoven (1997)Some Eighteenth-Century Ritornello Scripts and Their Nineteenth-Century Revivals (2008)Schubert’s Harmonic Language and Fourier Phase Space (2015)Idealism and the Aesthetics of Instrumental Music at the Turn of the Nineteenth Century (1997)Liszt and the Symphonic Poem (2017)Rethinking Mendelssohn (2020)Classic Music: Expression, Form, and Style (1981)Music as Discourse (2008)Harmony in Haydn and Mozart (2012)Counterpoint in Rock Music: Unpacking the “Melodic-Harmonic Divorce” (2015)Brahms's ‘Musical Prose’ Reconsidered (2022)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Form, Program, and Metaphor in the Music of Berlioz (2009)Action and Agency Revisited (2013)Extraordinary Measures (2011)Continuous Question-Answer Pairs (2020)Prolongational Closure in the Lieder of Fanny Hensel (2020)Toward a Predictive Theory of Theme Types (2020)Schubert's Homecoming (2000)Tonality (2023)Towards a generative syntax of tonal harmony (2011)
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References

  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven698 cited
  • 2006Elements of Sonata Theory644 cited
  • 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata562 cited
  • 1998Classical Form529 cited
  • 2004The Classical Cadence: Conceptions and Misconceptions299 cited
  • 2006Schubert's Sonata Forms and the Poetics of the Lyric94 cited
  • 1979Schubert's Sonata Form and Brahms's First Maturity (II)82 cited
  • 1978Schubert's Sonata Form and Brahms's First Maturity68 cited
  • 2014Formal Functions and Retrospective Reinterpretation in the First Movement of Schubert's String Quintet67 cited
  • 2018Beyond the Classical Cadence: Thematic Closure in Early Romantic Music66 cited
  • 2001Returning CyclesContexts for the Interpretation of Schubert's Impromptus and Last Sonatas59 cited
  • 2004Beyond the Beethoven Model: Sentence Types and Limits52 cited
  • 2013In Search of Romantic Form51 cited
  • 2011Analyzing Schubert45 cited
  • 2017Thematic and Non-Thematic Textures in Schubert’s Three-Key Expositions44 cited

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2014
Schubert and the Construction of Memory: The String Quartet in A minor, D.804 (‘Rosamunde’)
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