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Crafticulation as a method of knowledge creation
16 references·0 citing·54 second hopsampled
Crafticulation as a method of knowledge creation (2021)Crafticulation as a method of knowledge c…Mapping the methodologies of the craft sciences in Finland, Sweden and Norway (2020)Mapping the methodologies of …Documentation as a practice-led research tool for reflection on experiential knowledge (2018)Documentation as a practice-l…Creative Practice as Research: Discourse on Methodology (2018)Creative Practice as Research…“The Art(ist) is present”: Arts-based research perspective in educational research (2017)“The Art(ist) is present”: Ar…The Making-Of: An Autoethnographic Cinema on the Meanings of Contemporary Craft Practicing for a Young Hobbyist (2015)The Making-Of: An Autoethnogr…Tactile augmentation: A multimethod for capturing experiential knowledge (2015)Tactile augmentation: A multi…Knowing and/or experiencing: a critical examination of the reflective models of John Dewey and Donald Schön (2015)Knowing and/or experiencing: …Designing Craft Research: Joining Emotion and Knowledge (2014)Designing Craft Research: Joi…Making as Knowing: Epistemology and Technique in Craft (2012)Making as Knowing: Epistemolo…Hands-on intellect: integrating craft practice into design research (2012)Hands-on intellect: integrati…Material inspiration: From practice-led research to craft art education (2010)Material inspiration: From pr…Making knowledge: explorations of the indissoluble relation between minds, bodies, and environment (2010)Making knowledge: exploration…The textility of making (2009)The textility of makingChapter 1 Introduction: Practice-led Research, Research-led Practice – Towards the Iterative Cyclic Web (2009)Chapter 1 Introduction: Pract…Knowing Through Making: The Role of the Artefact in Practice-led Research (2007)Knowing Through Making: The R…Experiential learning in practice as research: context, method, knowledge (2007)Experiential learning in prac…Outline of a Theory of Practice (1977)Situated Learning (1991)Situated Learning: Legitimate Peripheral Participation. 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(1990)Stanford Encyclopedia of Philosophy 2011 (2015)Craft as Leverage for Sustainable Design Transformation: A Theoretical Foundation (2019)A Review on the Malaysian and Indonesian Batik Production, Challenges, and Innovations in the 21st Century (2021)Tacit Knowledge Sharing for Enhancing the Sustainability of Intangible Cultural Heritage (ICH) Crafts: A Perspective from Artisans and Academics under Craft–Design Collaboration (2023)The Practice Turn in Contemporary Theory (2005)On Reflecting and Making in Artistic Research (2011)Big Data Management Canvas: A Reference Model for Value Creation from Data (2019)The big data-business strategy interconnection: a grand challenge for knowledge management. A review and future perspectives (2020)The History of Sexuality (1976)Naturalistic inquiry (1985)Unbearable Weight: Feminism, Western Culture and the Body. (1995)Creative arts psychosocial interventions for conflict-affected children of the Marawi Siege in Southern Philippines (2020)Critics of the Tendency of Art Education for Autistic Children in Indonesia (2023)Painting as a form of Material Thinking: Promoting agency and expression for people living with dementia (2025)Studies in Ethnomethodology. (1968)Reading images: the grammar of visual design (1996)Writing: A Method of Inquiry (2004)The Adaptive Process of Multimodal Composition: How Developing Tacit Knowledge of Digital Tools Affects Creative Writing (2017)Petit récit de l’émergence de la recherche-création médiatique à l’UQAM et quelques propositions pour en guider la pratique (2020)Making-with the environment through more-than-human design (2022)The reflective practitioner: How professionals think in action (1985)Case study research: design and methods (2011)In dialogue with the environment: The environment, creativity, materials and making (2022)Video as a Tool for Knowing and Telling in Practice-led Craft Research (2022)Learning with the Natural Environment: How Walking with Nature Can Actively Shape Creativity and Contribute to Holistic Learning (2023)A Theory of Craft: Function and Aesthetic Expression (2007)Articulating Challenges of Hybrid Crafting for the Case of Interactive Silversmith Practice (2017)Thinking through Craft (2017)
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References

  • 2009The textility of making580 cited
  • 2010Making knowledge: explorations of the indissoluble relation between minds, bodies, and environment315 cited
  • 2018Creative Practice as Research: Discourse on Methodology189 cited
  • 2007Knowing Through Making: The Role of the Artefact in Practice-led Research176 cited
  • 2015Knowing and/or experiencing: a critical examination of the reflective models of John Dewey and Donald Schön148 cited
  • 2012Hands-on intellect: integrating craft practice into design research120 cited
  • 2014Designing Craft Research: Joining Emotion and Knowledge70 cited
  • 2018Documentation as a practice-led research tool for reflection on experiential knowledge46 cited
  • 2017“The Art(ist) is present”: Arts-based research perspective in educational research44 cited
  • 2007Experiential learning in practice as research: context, method, knowledge43 cited
  • 2010Material inspiration: From practice-led research to craft art education36 cited
  • 2015Tactile augmentation: A multimethod for capturing experiential knowledge32 cited
  • 2020Mapping the methodologies of the craft sciences in Finland, Sweden and Norway30 cited
  • 2012Making as Knowing: Epistemology and Technique in Craft22 cited
  • 2009

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Chapter 1 Introduction: Practice-led Research, Research-led Practice – Towards the Iterative Cyclic Web
21 cited
  • 2015The Making-Of: An Autoethnographic Cinema on the Meanings of Contemporary Craft Practicing for a Young Hobbyist15 cited
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