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Is there a ‘Venice Effect’? Participation in the Venice Biennale and the implications for artists’ careers
16 references·0 citing·49 second hop
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References

  • 2006The economy of prestige: prizes, awards, and the circulation of cultural value408 cited
  • 2015Gender and Creative Labour354 cited
  • 2008Tournament Rituals, Category Dynamics, and Field Configuration: The Case of the Booker Prize218 cited
  • 2003Awards, Success and Aesthetic Quality in the Arts195 cited
  • 2011Festivals and the Cultural Public Sphere182 cited
  • 2013THE PRICE OF ART124 cited
  • 2015Killing Animals: Sociology, Species Relations and Institutionalized Violence111 cited
  • 2015The Art of Representation: How Audience-specific Reputations Affect Success in the Contemporary Art Field102 cited
  • 2012Geographic clustering and productivity: An instrumental variable approach for classical composers96 cited
  • 2019Diversity of artists in major U.S. museums95 cited
  • 2013The Economics of Contemporary Art78 cited
  • 2016Biennials, Triennials, and Documenta: The Exhibitions that Created Contemporary Art53 cited
  • 2019Art and gender: market bias or selection bias?49 cited
  • 2013The art machine: dynamics of a value generating mechanism for contemporary art47 cited
  • 2013GLOBALIZATION OF MARKETS FOR CONTEMPORARY ART43 cited

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  • 2014Prize & price: The Turner Prize as a valuation device in the contemporary art market41 cited
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