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Meyerhold Meets Mei Lanfang: Staging the Grotesque and the Beautiful
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Meyerhold Meets Mei Lanfang: Staging the Grotesque and the Beautiful (1999)Meyerhold Meets Mei Lanfang: Staging the …Meyerhold speaks Meyerhold rehearses (2021)Meyerhold speaks Meyerhold re…Meyerhold on Theatre (2016)Meyerhold on TheatreDances with Mei Lanfang: Brecht and the Alienation Effect (1998)Dances with Mei Lanfang: Brec…"Alienation-Effect" for Whom? Brecht's (Mis)interpretation of the Classical Chinese Theatre (1997)"Alienation-Effect" for Whom?…Meyerhold, Eisenstein and biomechanics: actor training in revolutionary Russia (1996)Meyerhold, Eisenstein and bio…Listening to Theatre: The Aural Dimension of Beijing Opera (1993)Listening to Theatre: The Aur…Michael Chekhov's To the Director and Playwright (1984)Michael Chekhov's To the Dire…Meyerhold the Director (1981)Meyerhold the DirectorMeyerhold at Work (1981)Meyerhold at WorkMoscow Rehearsals: An Account of Methods of Production in the Soviet Theatre (1975)Moscow Rehearsals: An Account…The Grotesque in English Literature (1967)The Grotesque in English Lite…The Grotesque in Art and Literature (1965)The Grotesque in Art and Lite…Directors on Directing: A Source Book of the Modern Theatre (1964)Directors on Directing: A Sou…Stanislavski's Legacy: A Collection of Comments on a Variety of Aspects of an Actor's Art and Life (1959)Stanislavski's Legacy: A Coll…Film Form: Essays in Film Theory (1949)Film Form: Essays in Film The…My Country and My People. (1936)My Country and My People.Brecht: The Man and His Work (1961)Writing and Difference (1980)The Predicament of Culture (1988)Male Dan: The Paradox of Sex, Acting, and Perception of Female Impersonation in Traditional Chinese Theatre (2000)The Oxford history of world cinema (1997)The Close-Up: Scale and Detail in the Cinema (2003)Villains, Victims and Heroes: Melodrama, Media, and September 11 (2005)The prodigal son'sRussian roots: Avant‐garde and icons (1981)Effector patterns of basic emotions: a psychophysiological method for training actors (1987)The stagecraft and performance of Roman comedy (2007)The Liberated Performance (1982)Reading the Dramatic Text for Production (1997)Dramas with Music: Tennessee Williams’s A Streetcar Named Desire and the Challenges of Music for the Postwar Stage (2011)Facing the Ugly: The Case of Frankenstein (2000)War Pictures: The Grotesque as a Mobilizing Tactic (2010)Modernism, Satire and the Novel (2011)Ambiguity and ambivalence (2008)The Art of Cognition: British Empiricism and Victorian Aesthetics (2017)A reassessment of the relationship between text, speech tone, melody, and aria structure in Beijing Opera (1999)A History of Singing (2012)Creating A Corpus Of Jingju (Beijing Opera) Music And Possibilities For Melodic Analysis. (2014)The Theatricality of History Making and the Paradoxes of Acting (1993)The Dialectic of Orality and Literacy: The Case of Book 4 of Augustine'sDe doctrina christiana (1996)Finding creativity : integrating drama teaching techniques in creative writing lessons (2015)Cognitive Catharsis in The Caucasian Chalk Circle (2006)Biomechanics of love: reinventing the avant-garde in Tsai Ming-liang's wayward ‘pornographic musical’ (2007)The Dynamics of Metaphor: Foregrounding and Activating Metaphoricity in Conversational Interaction (2010)Cultural Expectations of Thinness in Chinese Women (2001)Role of emotions and behavioural responses in mediating the impact of face loss on relationship deterioration: Are Chinese more face‐sensitive than Americans? (2008)Face (2011)
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References

  • 1949Film Form: Essays in Film Theory878 cited
  • 1965The Grotesque in Art and Literature327 cited
  • 1936My Country and My People.177 cited
  • 2016Meyerhold on Theatre93 cited
  • 1993Listening to Theatre: The Aural Dimension of Beijing Opera68 cited
  • 1967The Grotesque in English Literature61 cited
  • 1996Meyerhold, Eisenstein and biomechanics: actor training in revolutionary Russia48 cited
  • 1997"Alienation-Effect" for Whom? Brecht's (Mis)interpretation of the Classical Chinese Theatre31 cited
  • 1959Stanislavski's Legacy: A Collection of Comments on a Variety of Aspects of an Actor's Art and Life30 cited
  • 1964Directors on Directing: A Source Book of the Modern Theatre26 cited
  • 2021Meyerhold speaks Meyerhold rehearses24 cited
  • 1998Dances with Mei Lanfang: Brecht and the Alienation Effect19 cited
  • 1981Meyerhold the Director19 cited
  • 1984Michael Chekhov's To the Director and Playwright17 cited
  • 1975Moscow Rehearsals: An Account of Methods of Production in the Soviet Theatre10 cited
  • 1981Meyerhold at Work9 cited

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