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Extended Anacruses in Mozart's Instrumental Music
3 references·1 citing·14 second hop
Extended Anacruses in Mozart's Instrumental Music (2016)Extended Anacruses in Mozart's Instrument…Conflicting Metrical Patterns in Accompaniment and Melody in Works by Mozart and Beethoven: A Preliminary Study (1993)Conflicting Metrical Patterns…Texture as a Sign in Classic and Early Romantic Music (1982)Texture as a Sign in Classic …Sound and Symbol: Music and the External World (1957)Sound and Symbol: Music and t…End-Accented Sentences: Towards a Theory of Phrase-Rhythmic Progression (2020)End-Accented Sentences: Towar…Emotion and Meaning in Music (1961)The Composer's Voice (1974)The “expanded cadential progression”: A category for the analysis of classical form† (1987)The String Quartets of Joseph Haydn (2006)The Interpretation of Cultures (2017)The Musical Topic in the Twentieth Century: A Case Study of Schoenberg’s Ironic Waltzes (2017)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of Sonata Theory (2006)Rhythm in twentieth-century theory (2002)Music in the Galant Style (2006)The Routledge Companion to Aesthetics (2005)Embodied Narrative Inquiry: A Methodology of Connection (2006)On the Life of Lines (2014)
this work references cited by second hop

References

  • 1957Sound and Symbol: Music and the External World134 cited
  • 1982Texture as a Sign in Classic and Early Romantic Music132 cited
  • 1993Conflicting Metrical Patterns in Accompaniment and Melody in Works by Mozart and Beethoven: A Preliminary Study16 cited

Cited by

  • 2020End-Accented Sentences: Towards a Theory of Phrase-Rhythmic Progression5 cited

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