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Change Mummified: Cinema, Historicity, Theory
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  • 2007Moving Away from the Index: Cinema and the Impression of Reality249 cited
  • 2008Digital Images, Photo-Sharing, and Our Shifting Notions of Everyday Aesthetics223 cited
  • 2008What's the Point of an Index? or, Faking Photographs155 cited
  • 2013Exhibiting Cinema in Contemporary Art140 cited
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  • 2003Death Every Afternoon126 cited
  • 2015Soul of the Documentary63 cited
  • 2014Analogue Nostalgia and the Aesthetics of Digital Remediation60 cited
  • 2003Don DeLillo's “In the Ruins of the Future”: Literature, Images, and the Rhetoric of Seeing 9/1145 cited
  • 2004In Focus: Film History, or a Baedeker Guide to the Historical Turn37 cited
  • 2014Animating the Instant37 cited
  • 2020Screen Space Reconfigured35 cited
  • 2014“First Principles” of Animation35 cited
  • 2007The Production of Outrage: The Iraq War and the Radical Documentary Tradition33 cited
  • 2004Digital Editing and Montage: The Vanishing Celluloid and Beyond30 cited

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  • 2011On production for digital culture: iPhone Girl, electronics assembly, and the material forms of aspiration30 cited