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On Schenkerism: A Closed Circle of Elite Listeners?
9 references·0 citing·26 second hop
On Schenkerism: A Closed Circle of Elite Listeners? (1993)On Schenkerism: A Closed Circle of Elite …The Editor and the Virtuoso, or Schenker versus Bülow (1991)The Editor and the Virtuoso, …Voice Leading in Post-Tonal Music: Suggestions for Extending Schenker's Theory (1990)Voice Leading in Post-Tonal M…The Music of Claude Debussy (1990)The Music of Claude DebussySchenker's Theory of Music as Ethics (1989)Schenker's Theory of Music as…The Problem of Prolongation in Post-Tonal Music (1987)The Problem of Prolongation i…The Diatonic and the Chromatic in Schenker's "Theory of Harmonic Relations" (1986)The Diatonic and the Chromati…Dissonant Prolongation: Theoretical and Compositional Precedents (1976)Dissonant Prolongation: Theor…Five Graphic Music Analyses (1969)Five Graphic Music AnalysesFive graphic music analyses (Fünf Urlinie-Tafeln) (1969)Five graphic music analyses (…"The Modern Language Review", 1905-1955 (1955)Lectures and Conversations on Aesthetics, Psychology and Religious Belief (1968)Introduction to the Sociology of Music. (1977)Schenker's Mysterious Five (1999)Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics (2005)Music Theory and the White Racial Frame (2020)Syntagmatics and Paradigmatics: Some Implications for the Analysis of Chromaticism in Tonal Music (1991)Chromatic Transformations in Nineteenth-Century Music (2002)The A??C?E Complex: The Origin and Function of Chromatic Major Third Collections in Nineteenth-Century Music (2006)Atonal prolongational structure (1989)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)Liszt's Experimental Idiom and Music of the Early Twentieth Century (1987)Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes (2000)Harmonic Cross-Reference and the Dialectic of Articulation and Continuity in Sonata Expositions of Schubert and Brahms (2006)At the Borders of Musical Identity: Schenker, Corelli and the Graces (1999)“That Bright New Light”: Schenker, Universal Edition, and the Origins of the Erläuterung Series, 1901–1910 (2005)The ♯IV(♭V) Hypothesis: Testing the Limits of Schenker's Theory of Tonality (1997)Concepts of Harmony and Prolongation in Schoenberg's Op. 19/2 (1999)Becoming Heinrich Schenker: music theory and ideology (2015)Metric and Rhythmic Articulation in Music (1985)Structure and Performance Timing in Bach's C Major Prelude (WTCI): An Empirical Study (1987)The Retransition as Sign: Listener-Orientated Approaches to Tonal Closure in Haydn's Sonata-Form Movements (1996)Prelude on a Partimento (2015)Chromatic Third-Relations and Tonal Structure in the Songs of Debussy (1995)Twentieth-Century Chamber Music (2004)
this work references cited by second hop

References

  • 1987The Problem of Prolongation in Post-Tonal Music162 cited
  • 1976Dissonant Prolongation: Theoretical and Compositional Precedents115 cited
  • 1986The Diatonic and the Chromatic in Schenker's "Theory of Harmonic Relations"72 cited
  • 1990The Music of Claude Debussy61 cited
  • 1969Five Graphic Music Analyses54 cited
  • 1990Voice Leading in Post-Tonal Music: Suggestions for Extending Schenker's Theory40 cited
  • 1989Schenker's Theory of Music as Ethics39 cited
  • 1991The Editor and the Virtuoso, or Schenker versus Bülow33 cited
  • 1969Five graphic music analyses (Fünf Urlinie-Tafeln)12 cited

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