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The career of metaphor hypothesis and vocality in contemporary music
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The career of metaphor hypothesis and vocality in contemporary music (2022)The career of metaphor hypothesis and voc…Fundamental concepts for the semiotic interpretation of musical meaning (2020)Fundamental concepts for the …The Semantics of Musical Topoi (2015)The Semantics of Musical TopoiThe Oxford Handbook of Topic Theory (2013)The Oxford Handbook of Topic …Mahler's Voices (2009)Mahler's VoicesThe Musical Representation (2007)The Musical RepresentationThe biology and evolution of music: A comparative perspective (2006)The biology and evolution of …6. “Tone-Color, Movement, Changing Harmonic Planes”: Cognition, Constraints and Conceptual Blends in Modernist Music (2004)6. “Tone-Color, Movement, Cha…Metaphors We Live By (2003)Metaphors We Live ByTheorizing Musical Meaning (2001)Theorizing Musical MeaningThe sense of music: semiotic essays (2001)The sense of music: semiotic …Metaphor Is Like Analogy (2001)Metaphor Is Like AnalogyPlaying with Signs (1991)Playing with SignsMusic and Discourse: Toward a Semiology of Music (1991)Music and Discourse: Toward a…Classic Music: Expression, Form, and Style (1981)Classic Music: Expression, Fo…Formalized Music: Thought and Mathematics in Composition (1973)Formalized Music: Thought and…Emotion and Meaning in Music (1961)A Theory of Semiotics (1976)A Cognitive Theory of Musical Meaning (2000)Choreomusical Conversations: Facing a Double Challenge (2011)Music and Ethical Responsibility (2014)The descent of man and selection in relation to sex (1907)The spandrels of San Marco and the Panglossian paradigm: a critique of the adaptationist programme (1979)The Faculty of Language: What Is It, Who Has It, and How Did It Evolve? (2002)Genetics of Human Social Behavior (2010)Social Cognition and the Evolution of Language: Constructing Cognitive Phylogenies (2010)Prosocial Consequences of Interpersonal Synchrony (2016)Structure‐Mapping: A Theoretical Framework for Analogy* (1983)The contemporary theory of metaphor (1993)Convention, Form, and Figurative Language Processing (2001)As time goes by: Evidence for two systems in processing space → time metaphors (2002)War metaphors in public discourse (2018)Qualitative Analysis for Social Scientists (1987)A Dynamic Theory of Organizational Knowledge Creation (1994)Cadential processes: The evaded cadence and the “one more time” technique (1992)The Classical Cadence: Conceptions and Misconceptions (2004)Normalizing the Abnormal: Disability in Music and Music Theory (2006)M eyer's Anvil: Revisiting the Schema Concept (2012)THE MORTE: A GALANT VOICE-LEADING SCHEMA AS EMBLEM OF LAMENT AND COMPOSITIONAL BUILDING-BLOCK (2015)The Musical Topic in the Twentieth Century: A Case Study of Schoenberg’s Ironic Waltzes (2017)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music (1999)Sensible virtual selves: Bodies, instruments and the becoming-concrete of Music (2006)Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)Enacting Musical Time (2019)U sing the P ersona to E xpress C omplex E motions in M usic (2010)Compositions, Scores, Performances, Meanings (2012)Philosophy of Linguistics (2019)
this work references cited by second hop

References

  • 2003Metaphors We Live By25,220 cited
  • 1981Classic Music: Expression, Form, and Style724 cited
  • 2006The biology and evolution of music: A comparative perspective621 cited
  • 2001Metaphor Is Like Analogy531 cited
  • 1991Music and Discourse: Toward a Semiology of Music510 cited
  • 2013The Oxford Handbook of Topic Theory435 cited
  • 1991Playing with Signs386 cited
  • 2001The sense of music: semiotic essays251 cited
  • 2001Theorizing Musical Meaning244 cited
  • 2007The Musical Representation111 cited
  • 2009Mahler's Voices54 cited
  • 2015The Semantics of Musical Topoi39 cited
  • 1973Formalized Music: Thought and Mathematics in Composition21 cited
  • 20046. “Tone-Color, Movement, Changing Harmonic Planes”: Cognition, Constraints and Conceptual Blends in Modernist Music14 cited
  • 2020Fundamental concepts for the semiotic interpretation of musical meaning3 cited

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