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Student-centred strategies for higher music education: using peer-to-peer critique and practice as research methodologies to train conservatoire musicians
12 references·1 citing·47 second hop
Student-centred strategies for higher music education: using peer-to-peer critique and practice as research methodologies to train conservatoire musicians (2022)Student-centred strategies for higher mus…Posthumanism, Decoloniality and Re-Imagining Pedagogy (2018)Posthumanism, Decoloniality a…Creative Matter: New Materialism in Art Education Research, Teaching, and Learning (2017)Creative Matter: New Material…Trans-forming Higher Education (2016)Trans-forming Higher EducationEngagement through partnership: students as partners in learning and teaching in higher education (2016)Engagement through partnershi…Creative Teaching for Creative Learning in Higher Music Education (2016)Creative Teaching for Creativ…Practice as Research in the Arts (2013)Practice as Research in the A…Theoretical Foundations of Learning Environments (2012)Theoretical Foundations of Le…A Review of Research on Practicing: Summary and Synthesis of the Extant Research with Implications for a New Theoretical Orientation (2011)A Review of Research on Pract…Practice-led Research, Research-led Practice in the Creative Arts (2009)Practice-led Research, Resear…Practice-as-research and the Problem of Knowledge (2006)Practice-as-research and the …A Manifesto for Performative Research (2006)A Manifesto for Performative …Reflective Practice: Writing and Professional Development (2001)Reflective Practice: Writing …Teaching Music Performance in Higher Education (2024)Teaching Music Performance in…Reflection, turning experience into learning (1985)Developing reflective practice in student teachers: collaboration and critical partnerships (2005)The language teacher's development (2005)Facilitating Management Learning (2007)Motivational and self-regulated learning components of classroom academic performance. (1990)The role of deliberate practice in the acquisition of expert performance. (1993)Self-theories: Their Role in Motivation, Personality, and Development (1999)Measuring self-regulated practice behaviours in highly skilled musicians (2015)Self-Regulated Learning in Music Practice and Performance (2017)Video feedback and the self-evaluation of college-level guitarists during individual practice (2019)Speech Acts (1969)Writing and Difference (1980)The Logic of Practice (1990)Can approaches to research in Art and Design be beneficially adapted for research into higher education? (2013)Interrupting Flow: Researching Play, Performance and Immersion in Festival Scenes (2013)Research, practice, knowledge: introducing the creative knowledges enabling framework (2024)A Basis for Music Education (2002)The Conflict of the Faculties. Perspectives on Artistic Research and Academia (2012)Actor-Network Theory: Trials, Trails and Translations (2017)A Ladder Of Citizen Participation (1969)Situated Learning: Legitimate Peripheral Participation. (1994)Communities of practice learning, meaning, and identity (1999)A Systematic Literature Review of Students as Partners in Higher Education (2017)The four pillars of tertiary student engagement and success: a holistic measurement approach (2019)Incubators for Student Leader Identity Emergence. (2021)The Presentation of Self in Everyday Life. (1956)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Metaphors We Live By (2003)Doing it differently: emancipatory autism studies within a neurodiverse academic space (2019)The digital ‘turn’ in music education (editorial) (2021)Art practice as research: inquiry in the visual arts (2005)Vibrant Matter (2010)Making (2013)Entanglement Art Education: Factoring ARTificial Intelligence and Nonhumans Into Future Art Curricula (2020)Post-digital, Post-internet: Propositions for Art Education in the Context of Digital Cultures (2021)Rethinking the Politics of Creativity: Posthumanism, Indigeneity, and Creativity Beyond the Western Anthropocene (2021)Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning (2007)Staying with the Trouble (2016)The Possibilities for “Humanizing” Posthumanist Inquiries: An Intra-Active Conversation (2019)What Do Pedagogies Produce? Thinking/Teaching Qualitative Inquiry (2019)Conceptualizing justice tourism and the promise of posthumanism (2020)Practice-Based Research in the Creative Arts: Foundations and Futures from the Front Line (2017)Creative Practice as Research: Discourse on Methodology (2018)A performative paradigm for post-qualitative inquiry (2021)Teachers’ beliefs about issues in the implementation of a student-centered learning environment (2003)A design framework for enhancing engagement in student-centered learning: own it, learn it, and share it (2016)The Effects of Problem-Based, Project-Based, and Case-Based Learning on Students’ Motivation: a Meta-Analysis (2024)
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References

  • 2016Engagement through partnership: students as partners in learning and teaching in higher education864 cited
  • 2001Reflective Practice: Writing and Professional Development794 cited
  • 2009Practice-led Research, Research-led Practice in the Creative Arts557 cited
  • 2006A Manifesto for Performative Research548 cited
  • 2013Practice as Research in the Arts388 cited
  • 2012Theoretical Foundations of Learning Environments369 cited
  • 2006Practice-as-research and the Problem of Knowledge111 cited
  • 2011A Review of Research on Practicing: Summary and Synthesis of the Extant Research with Implications for a New Theoretical Orientation66 cited
  • 2017Creative Matter: New Materialism in Art Education Research, Teaching, and Learning57 cited
  • 2018Posthumanism, Decoloniality and Re-Imagining Pedagogy45 cited
  • 2016Creative Teaching for Creative Learning in Higher Music Education20 cited
  • 2016Trans-forming Higher Education17 cited

Cited by

  • 2024Teaching Music Performance in Higher Education7 cited

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