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Cited by

  • 1995Prosthetic Memory: Total Recall and Blade Runner70 cited
  • 2013Seeing the Unseen in Indonesia's Public Sphere: Photographic Appearances of a Spirit Queen53 cited
  • 2013Engaging the limits of visibility: Photography, security and surveillance47 cited
  • 2017Digital images and globalized conflict28 cited
  • 2002‘Picturing the Past’ in Namibia: The Visual Archive and its Energies25 cited
  • 2002Duchamp's Boîte-en-valise: Between Institutional Acculturation and Geopolitical Displacement12 cited
  • 2022The Exquisite Corpse of History. Radu Jude and the Intermedial Collage9 cited
  • 2013Shades of Empire: Police Photography in German South-West Africa7 cited
  • 2015Photography as a “Space of Experience”: On the Retrospective Legibility of Historic Photographs6 cited
  • 2018Images in Social Media: Categorization and Organization of Images and Their Collections4 cited
  • 2019The Kodak Ensemble: Fashion, Images and Materiality in 1920s America4 cited
  • 2022Urban Transformations4 cited
  • 2014Archival memory and dissolution3 cited
  • 2010The Uncanny Return: Documenting Place in Post-war German Photography1 cited

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2017
Introduction: European photography today
1 cited