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Cited by

• 1989Atonal prolongational structure113 cited
• 1997Fuzzy Extensions to the Theory of Contour68 cited
• 2012Music and cognitive evolution58 cited
• 2002Music theory and mathematics51 cited
• 1992Schoenberg's Op. 22 Radio Talk and Developing Variation in Atonal Music48 cited
• 2011Modelling the similarity of pitch collections with expectation tensors42 cited
• 1986Tonic Arpeggiation and Successive Equal Third Relations as Elements of Tonal Evolution in the Music of Franz Liszt37 cited
• 2002Thematic and motivic analysis34 cited
• 1986On the Problem of Succession and Continuity in Twentieth-Century Music32 cited
• 2020Steve Reich’s Signature Rhythm and an Introduction to Rhythmic Qualities26 cited
• 2015Applications of DFT to the Theory of Twentieth-Century Harmony26 cited
• 2023An Eightfold Taxonomy of Harmonic Progressions, and Its Application to Triads Related by Major Third and Their Significance in Recent Screen Music21 cited
• 2007Reconsidering Klumpenhouwer Networks21 cited
• 2007Work Structure and Musical Representation: Reflections on Adorno's Analyses for Interpretation119 cited