SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Social Choreography
0 references·16 citing·36 second hop
Social Choreography (2005)Social ChoreographyCreative embodied learning about different identities (2025)Creative embodied learning ab…Beyond 90°: the angularities of black/queer/women/lean (2019)Beyond 90°: the angularities …The Theatre of Modernity (2017)The Theatre of ModernityThe New Spaces of Modernist Painting (2017)The New Spaces of Modernist P…The Long Turn of the Century (2017)The Long Turn of the CenturyThe Cambridge History of Modernism (2017)The Cambridge History of Mode…On or About 1922:Annus Mirabilisand the Other 1920s (2017)On or About 1922:Annus Mirabi…Modernist Temporality: The Science and Philosophy and Aesthetics of Temporality from 1880 (2017)Modernist Temporality: The Sc…Modernism and the Urban Imaginary 1: Spectacle and Introspection (2017)Modernism and the Urban Imagi…Introduction: A History of “Modernism” (2017)Introduction: A History of “M…Epilogue: Modernism after Postmodernism (2017)Epilogue: Modernism after Pos…At Other Times: Modernism and the “Primitive” (2017)At Other Times: Modernism and…From Odd Encounters to a Prospective Confluence: Dance-Philosophy (2015)From Odd Encounters to a Pros…Entr’acte: Mobile Choreography and Sydney Rail Commuters (2012)Entr’acte: Mobile Choreograph…Choreographing Resistances: Spatial–Kinaesthetic Intelligence and Bodily Knowledge as Political Tools in Activist Work (2010)Choreographing Resistances: S…Ambivalent Agency: Gestural Performances of Hands in Weimar Dance and Film (2010)Ambivalent Agency: Gestural P…Difference and repetition (1994)Unmarked: The Politics of Performance (1994)Projects, Precarity, and the Ontology of Dance Works (2019)Responding to Per.Art’s Dis_Sylphide : Six Voices from IFTR’s Performance and Disability Working Group (2019)Movement as Matter: A Practice-Based Inquiry into the Substance of Dancing (2021)From The Emancipated Spectator (2025)Dancing Modernism/Performing Politics by Mark Franko. Bloomington: Indiana University Press, 1995. Xvi + 192 pp., photographs, appendix, notes, bibliography, index. $29.95 clothbound; $12.95 paperbound. (1997)Means Without End: Notes on Politics (2000)Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit (2019)Being and Time (1927)Speech Acts (1969)Intuitive knowing and embodied consciousness (2012)From Mobilization to Revolution (2017)The political choreography of the Sophia robot: beyond robot rights and citizenship to political performances for the social robotics market (2020)Co-creation as choreography (2022)Distinction: A Social Critique of the Judgement of Taste. (1985)Modes and Moods of Mobility: Tourists and Commuters (2015)The Death and Life of Great American Cities (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Infrastructures of immobility: enabling international distance education students in Africa tonotmove (2019)The rush of the rush hour: mobility justice for seniors on public transport in Sydney, Australia (2021)The Principles of Psychology (1891)The Dialogic Imagination: Four Essays (1981)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)A Political Economy of Modernism: Literature, Post-Classical Economics, and the Lower Middle-Class (2018)Culture and Imperialism. (1994)The Black Atlantic: Modernity and Double Consciousness (1994)The Postmodern Condition: A Report on Knowledge (1984)Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation--An Argument (2003)Venus in Two Acts (2008)Cruel Optimism (2011)Kafka: Toward a Minor Literature (1986)All that is solid melts into air : the experience of modernity (1995)Backgazing: Reverse Time in Modernist Culture (2019)Sound and Literature (2020)Wireless Imaginations (2020)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2017The Cambridge History of Modernism161 cited
  • 2019Beyond 90°: the angularities of black/queer/women/lean47 cited
  • 2010Choreographing Resistances: Spatial–Kinaesthetic Intelligence and Bodily Knowledge as Political Tools in Activist Work36 cited
  • 2017Modernist Temporality: The Science and Philosophy and Aesthetics of Temporality from 188028 cited
  • 2010Ambivalent Agency: Gestural Performances of Hands in Weimar Dance and Film24 cited
  • 2017Epilogue: Modernism after Postmodernism22 cited
  • 2012Entr’acte: Mobile Choreography and Sydney Rail Commuters20 cited
  • 2015From Odd Encounters to a Prospective Confluence: Dance-Philosophy20 cited
  • 2017Introduction: A History of “Modernism”20 cited
  • 2017The New Spaces of Modernist Painting19 cited
  • 2025Creative embodied learning about different identities17 cited
  • 2017At Other Times: Modernism and the “Primitive”17 cited
  • 2017On or About 1922:Annus Mirabilisand the Other 1920s17 cited
  • 2017Modernism and the Urban Imaginary 1: Spectacle and Introspection17 cited
  • 2017The Theatre of Modernity

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

16 cited
  • 2017The Long Turn of the Century16 cited