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In the Course of Performance: Studies in the World of Musical Improvisation
0 references·16 citing·52 second hopsampled
In the Course of Performance: Studies in the World of Musical Improvisation (1999)In the Course of Performance: Studies in …The impact of musical improvisation on children’s creative thinking (2021)The impact of musical improvi…Mapping visions of improvisation pedagogy in music education research (2019)Mapping visions of improvisat…Improvisation and Social Aesthetics (2017)Improvisation and Social Aest…Contributions of playground singing games to the social inclusion of refugee and newly arrived immigrant children in Australia (2017)Contributions of playground s…Salesperson improvisation: Antecedents, performance outcomes, and boundary conditions (2016)Salesperson improvisation: An…Critical ontology for an enactive music pedagogy (2016)Critical ontology for an enac…Musical choices during group free improvisation: A qualitative psychological investigation (2015)Musical choices during group …Semiotic Dimensions of Creativity (2014)Semiotic Dimensions of Creati…Western music as world music (2013)Western music as world musicDescriptions of Improvisational Thinking by Artist-Level Jazz Musicians (2011)Descriptions of Improvisation…Can improvisation be ‘taught’?: A call for free improvisation in our schools (2009)Can improvisation be ‘taught’…Sensible virtual selves: Bodies, instruments and the becoming-concrete of Music (2006)Sensible virtual selves: Bodi…Embodied Narrative Inquiry: A Methodology of Connection (2006)Embodied Narrative Inquiry: A…The soul danced into the body: Nation and improvisation in Istanbul (2005)The soul danced into the body…Musical identities of professional jazz musicians: a focus group investigation (2005)Musical identities of profess…The Interpersonal Dimension: A Potential Source of Musical Creativity for Young Children? 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The Link Between Narcissism, Perceived Creativity, and Creative Performance (2010)Digital Platforms, Gig Economy, Precarious Employment, and the Invisible Hand of Social Class (2018)Outline of a Theory of Practice (1977)Situated Learning (1991)Situated Learning: Legitimate Peripheral Participation. (1994)The Post-it Note Economy: Understanding Post-Fordist Business Innovation through One of Its Key Semiotic Technologies (2016)Microgenesis of language creativity: Innovation, conformity and incongruence in children's language play (2017)Mimesis and mimicry in language – Creativity and aesthetics as the performance of (dis-)semblances 1 (2017)The Discovery of Grounded Theory; Strategies for Qualitative Research (1968)The Discovery of Grounded Theory: Strategies for Qualitative Research. (1968)Basics of qualitative research : techniques and procedures for developing grounded theory (1998)Improvisation and the self-organization of multiple musical bodies (2015)Creating Time: Social Collaboration in Music Improvisation (2017)Evaluating Structural Equation Models with Unobservable Variables and Measurement Error (1981)Stress, appraisal, and coping (1985)Common method biases in behavioral research: A critical review of the literature and recommended remedies. (2003)The Ambidextrous Sales Force: Aligning Salesperson Polychronicity and Selling Contexts for Sales-Service Behaviors and Customer Value (2019)A multidimensional perspective of business-to-business sales success: A meta-analytic review (2020)In search of operational resilience: How and when improvisation matters (2023)On the social psychology of the psychological experiment: With particular reference to demand characteristics and their implications. (1962)Flow: The Psychology of Optimal Experience (1991)Structure, Agency and the Internal Conversation (2003)Coordinated Interpersonal Behaviour in Collective Dance Improvisation: The Aesthetics of Kinaesthetic Togetherness (2018)Experiences of Musical Improvisation: Self-Individuation and Participatory Sense-Making (2022)Teaching free improvisation: European higher music education teachers’ conceptual tools (2024)The black Atlantic: modernity and double consciousness (1994)The Black Atlantic: Modernity and Double Consciousness. (1997)Representing African Music: Postcolonial Notes, Queries, Positions (2004)Non-Western national music and empire in global history: interactions, uniformities, and comparisons (2015)Traditional Music and the Work-Concept: TheKayagŭm Sanjoof Hwang Byungki (2017)Music, Encounter, Togetherness (2024)The Constitution of Society. Outline of the Theory of Structuration (1984)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Disobedient: Activist Choirs, Radical Amateurism, and the Politics of the Past after Yugoslavia (2020)Collaborating in Isolation: Assessing the Effects of the Covid-19 Pandemic on Patterns of Collaborative Behavior Among Working Musicians (2021)Immigration, Acculturation, and Adaptation (1997)Beyond the dots on the page: Harnessing transculturation and music education to address intercultural competence and social inclusion (2020)Livelihoods as a kaleidoscope of distributed lifeworlds: Towards a nuanced understanding of music-making and identity in migrants in South-East Queensland (2020)Music facilitator experiences of working in asylum seeker centres: Complexities, dilemmas and opportunities (2022)
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  • 2011Descriptions of Improvisational Thinking by Artist-Level Jazz Musicians174 cited
  • 2009Can improvisation be ‘taught’?: A call for free improvisation in our schools150 cited
  • 2005Musical identities of professional jazz musicians: a focus group investigation110 cited
  • 2006Embodied Narrative Inquiry: A Methodology of Connection110 cited
  • 2016Salesperson improvisation: Antecedents, performance outcomes, and boundary conditions87 cited
  • 2015Musical choices during group free improvisation: A qualitative psychological investigation83 cited
  • 2014Semiotic Dimensions of Creativity64 cited
  • 2017Improvisation and Social Aesthetics60 cited
  • 2017Contributions of playground singing games to the social inclusion of refugee and newly arrived immigrant children in Australia58 cited
  • 2013Western music as world music57 cited
  • 2019Mapping visions of improvisation pedagogy in music education research54 cited
  • 2021The impact of musical improvisation on children’s creative thinking53 cited
  • 2006Sensible virtual selves: Bodies, instruments and the becoming-concrete of Music47 cited
  • 2005The soul danced into the body: Nation and improvisation in Istanbul47 cited

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  • 2016Critical ontology for an enactive music pedagogy47 cited
  • 2003The Interpersonal Dimension: A Potential Source of Musical Creativity for Young Children?45 cited