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Gods in the Bazaar
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  • 2010The Semiotics of Brand238 cited
  • 2018Vigilante Publics: Orientalism, Modernity and Hindutva Fascism in India154 cited
  • 2009Technologies of the spirit109 cited
  • 2007Is There an Indian Way of Filmmaking?71 cited
  • 2014Photographing Objects as Queer Archival Practice68 cited
  • 2012The politics of wire service photography: Infrastructures of representation in a digital newsroom63 cited
  • 2018The Bully in the Pulpit: Autocracy, Digital Social Media, and Right-wing Populist Technoculture61 cited
  • 2013Seeing the Unseen in Indonesia's Public Sphere: Photographic Appearances of a Spirit Queen53 cited
  • 2012Media and Religious Diversity50 cited
  • 2015‘Neo-Hindutva’: the Asia House M. F. Husain campaign and the mainstreaming of Hindu nationalist rhetoric in Britain40 cited
  • 2017Local contexts as activation mechanisms of market development: contemporary art in emerging markets37 cited
  • 2011Notes on Postcolonial Visual Culture35 cited
  • 2011Being ‘ rasikas ’: the affective pleasures of music and dance spectatorship and nationhood in Indian middle‐class modernity29 cited
  • 2012Island writing, Creole cultures28 cited

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  • 2012The Cambridge History of Postcolonial Literature24 cited
  • 2008The prosthetic eye: photography as cure and poison23 cited