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The Art of Pure Cinema
16 references·0 citing·34 second hop
The Art of Pure Cinema (2020)The Art of Pure CinemaThe Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)The Mass Production of the Se…The rest is noise: listening to the twentieth century (2008)The rest is noise: listening …Intensified Continuity Visual Style in Contemporary American Film (2002)Intensified Continuity Visual…Storytelling in the new Hollywood: understanding classical narrative technique (2000)Storytelling in the new Holly…The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (1999)The Mass Production of the Se…'Trashing' the academy: taste, excess, and an emerging politics of cinematic style (1995)'Trashing' the academy: taste…Difference and repetition (1994)Difference and repetitionAudio-vision: sound on screen (1994)Audio-vision: sound on screenThe Architext : An Introduction (1992)The Architext : An Introducti…The women who knew too much: Hitchcock and feminist theory (1988)The women who knew too much: …Sculpting in Time: Reflections on the Cinema (1986)Sculpting in Time: Reflection…"Casablanca": Cult Movies and Intertextual Collage (1985)"Casablanca": Cult Movies and…Film Style and Technology: History and Analysis (1983)Film Style and Technology: Hi…Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…The World Viewed. Reflections on the Ontology of Film. (1972)The World Viewed. Reflections…Hitchcock’S Films Revisited (1960)Hitchcock’S Films RevisitedThe Black Atlantic: Modernity and Double Consciousness. (1997)Book Review: Modernity at Large: Cultural Dimensions of Globalization (1998)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)World Cinemas, Transnational Perspectives (2009)The Location of Culture (2012)Actor-Networks in Music History: Clarifications and Critiques (2014)Phénoménologie de la perception (1976)Unheard melodies: narrative film music (1988)The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (1989)Qualitative Research in Sociology (2004)Soundscapes: Toward a Sounded Anthropology (2010)Archaeology and the Senses (2013)The School of Oriental and African Studies (2016)The Cambridge History of Modernism (2017)Class, Control, and Classical Music (2019)Moving viewers: American film and the spectator's experience (2009)A philosophy of cinematic art (2010)The Apartment Plot (2010)2 The Genre Function (2000)Genre And The Invention Of The Writer: Reconsidering the Place of Invention in Composition (2003)The Extended Transportation-Imagery Model: A Meta-Analysis of the Antecedents and Consequences of Consumers' Narrative Transportation (2013)Liberatory Postmodernism and the Reenchantment of Consumption (1995)Human geography without scale (2005)New Materialism: Interviews & Cartographies (2012)Club cultures: music, media and subcultural capital (1996)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales (2010)Approaching media industries comparatively: A case study of streaming (2018)Detecting mental fatigue from eye-tracking data gathered while watching video: Evaluation in younger and older adults (2018)Room-for-Play: Benjamin's Gamble with Cinema (2004)Environmentalism and Postcolonialism (2005)Digital Material : Tracing New Media in Everyday Life and Technology (2009)Exhibiting Cinema in Contemporary Art (2013)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1994Difference and repetition6,750 cited
  • 1994Audio-vision: sound on screen1,584 cited
  • 1999The Mass Production of the Senses: Classical Cinema as Vernacular Modernism573 cited
  • 2008The rest is noise: listening to the twentieth century566 cited
  • 1992The Architext : An Introduction497 cited
  • 1972The World Viewed. Reflections on the Ontology of Film.443 cited
  • 2002Intensified Continuity Visual Style in Contemporary American Film362 cited
  • 1960Hitchcock’S Films Revisited349 cited
  • 2009The Mass Production of the Senses: Classical Cinema as Vernacular Modernism335 cited
  • 1995'Trashing' the academy: taste, excess, and an emerging politics of cinematic style301 cited
  • 1983Film Style and Technology: History and Analysis280 cited
  • 1986Sculpting in Time: Reflections on the Cinema247 cited
  • 1988The women who knew too much: Hitchcock and feminist theory235 cited
  • 2000Storytelling in the new Hollywood: understanding classical narrative technique231 cited
  • 1985"Casablanca": Cult Movies and Intertextual Collage

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