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Digital Performance
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Digital Performance (2007)Digital PerformanceAI: An Active and Innovative Tool for Artistic Creation (2025)AI: An Active and Innovative …The Cambridge Companion to American Theatre since 1945 (2021)The Cambridge Companion to Am…The Body Beyond Movement: (Missed) Opportunities to Engage with Contemporary Dance in HCI (2021)The Body Beyond Movement: (Mi…Shakespeare, Spectatorship and the Technologies of Performance (2020)Shakespeare, Spectatorship an…Response to COVID-19 – losing and finding one another in drama: personal geographies, digital spaces and new intimacies (2020)Response to COVID-19 – losing…New ways of seeing, feeling, being: intimate encounters in virtual reality performance (2020)New ways of seeing, feeling, …Digital Technology and Cultural Practice (2019)Digital Technology and Cultur…Two decades of digital pedagogies in the performing arts: a comparative survey of theatre, performance, and dance (2018)Two decades of digital pedago…Dance performance and virtual reality: an investigation of current practice and a suggested tool for analysis (2018)Dance performance and virtual…The Complex and Multifarious Expressions of Digital Art and Its Impact on Archives and Humanities (2016)The Complex and Multifarious …Interactive installations as performance (2014)Interactive installations as …Dance, Interactive Technology, and the Device Paradigm (2013)Dance, Interactive Technology…Choreographic Objects (2013)Choreographic ObjectsLiveness, mediation and immediacy – innovative technology use in process and performance (2012)Liveness, mediation and immed…An unfinished drama (2012)An unfinished dramaAudience empathy (2011)Audience empathyThought and language (1962)Mind in Society: The Development of Higher Psychological Processes (1978)Vygotsky and the Social Formation of Mind (1987)Together, Apart: Liveness, Eventness, and Streaming Shakespearean Performance (2017)‘If this was real … ’: researching student meaning making in a digital rolling role drama (2018)Treading softly in the enchanted forest: exploring the integration of iPads in a participatory theatre education programme (2019)Poetry, Language, Thought (1972)The Question Concerning Technology, and Other Essays (1977)Technology and the Character of Contemporary Life: A Philosophical Inquiry. (1986)Project Trans(m)it: creating dance collaboratively via technology – a best practices overview (2017)Devising Interactive Theatre (2019)IN/ACTive: A Distance-Technology-Mediated Stage for Performer-Audience Telepresence and Environmental Control (2023)The Presentation of Self in Everyday Life. (1956)Phenomenology of Perception (1982)How The Arts Can Help Tangible Interaction Design: A Critical Re-Orientation (2017)Is Multimedia Multisensorial? - A Review of Mulsemedia Systems (2018)Embodying the Algorithm (2023)Art as Experience (1934) (2026)The Gender of the GiftProblems with Women and Problems with Society in Melanesia (1988)Institutional Ecology, `Translations' and Boundary Objects: Amateurs and Professionals in Berkeley's Museum of Vertebrate Zoology, 1907-39 (1989)The Gift: The Form and Reason for Exchange in Archaic Societies. (1992)Affective Traces in Virtual Spaces (2015)Dance Becoming Knowledge: Designing a Digital “Body” (2015)Evolution and functions of human dance (2021)Enhancing teaching through constructive alignment (1996)What is Technological Pedagogical Content Knowledge (TPACK)? (2013)Physical actor training 2.0: new digital horizons (2019)Towards planetary performance pedagogy: digital companions in multipolar classrooms (2020)The Problem of Introduction of Digital Technologies in the Performing Arts (2023)Contemporary Issues in Technology and Teacher Education (2025)Understanding Media: The Extensions of Man (1964)Gender Trouble: Feminism and the Subversion of Identity (1991)How We Became Posthuman (1999)“The forms of things unknown”: Shakespeare and the Rise of the Live Broadcast (2017)Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016) (2019)Viral Shakespeare (2021)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Virtual art: From illusion to immersion (2004)Performing mixed reality (2012)Choreographic Encounters in XR: Reflections on Dancing in/Dancing with the Digital (2021)Imaginative geographies (1995)Spatializing Literacy Research and Practice (2005)The Chicago Guide to Collaborative Ethnography (2005)“We seek those moments of togetherness”: digital intimacies, virtual touch and becoming community in pandemic times (2022)Future stories: co-designing virtual reality (VR) experiences with young people with a serious illness in hospital (2022)Relational Ethics of Care in Pandemic Research: Vulnerabilities, Intimacies, and Becoming Together-Apart (2023)Interactive Visuals as Metaphors for Dance Movement Qualities (2015)Throwaway Citation of Prior Work Creates Risk of Bad HCI Research (2017)Making an Interactive Dance Piece (2019)Embracing the messy and situated practice of dance technology design (2023)WHAT IS COMPUTER ETHICS?* (1985)The Creative Mind (2004)ChatGPT is fun, but not an author (2023)
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  • 2020Shakespeare, Spectatorship and the Technologies of Performance66 cited
  • 2013Choreographic Objects65 cited
  • 2020Response to COVID-19 – losing and finding one another in drama: personal geographies, digital spaces and new intimacies38 cited
  • 2012Liveness, mediation and immediacy – innovative technology use in process and performance34 cited
  • 2025AI: An Active and Innovative Tool for Artistic Creation30 cited
  • 2014Interactive installations as performance27 cited
  • 2018Two decades of digital pedagogies in the performing arts: a comparative survey of theatre, performance, and dance24 cited
  • 2020New ways of seeing, feeling, being: intimate encounters in virtual reality performance23 cited
  • 2013Dance, Interactive Technology, and the Device Paradigm22 cited
  • 2021The Body Beyond Movement: (Missed) Opportunities to Engage with Contemporary Dance in HCI21 cited
  • 2019Digital Technology and Cultural Practice20 cited
  • 2018Dance performance and virtual reality: an investigation of current practice and a suggested tool for analysis20 cited
  • 2021The Cambridge Companion to American Theatre since 194519 cited
  • 2012An unfinished drama19 cited

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  • 2011Audience empathy19 cited
  • 2016The Complex and Multifarious Expressions of Digital Art and Its Impact on Archives and Humanities19 cited