SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Narrative Agendas in "Absolute" Music: Identity and Difference in Brahms's Third Symphony
0 references·11 citing·47 second hop
Narrative Agendas in "Absolute" Music: Identity and Difference in Brahms's Third Symphony (1993)Narrative Agendas in "Absolute" Music: Id…Art Music, Perfection and Power: Critical Encounters with Classical Music Culture in Contemporary Cinema (2021)Art Music, Perfection and Pow…Representing Disability (2018)Representing DisabilityMaking Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)Making Light Haydn, Musical C…Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)Making Light Haydn, Musical C…Broken Beauty (2018)Broken BeautyThe Common Basis of Narrative and Music: Somatic, Social, and Affective Foundations (2011)The Common Basis of Narrative…Johannes Brahms (2011)Johannes BrahmsMemesatz contra Ursatz: Memetic perspectives on the aetiology and evolution of musical structure (2010)Memesatz contra Ursatz: Memet…On Reception of Improvised Music (2009)On Reception of Improvised Mu…Metric Cubes in Some Music of Brahms (2009)Metric Cubes in Some Music of…Brahms and the Anxiety of Allusion (1998)Brahms and the Anxiety of All…Relevance: Communication and Cognition (1986)The Faculty of Language: What Is It, Who Has It, and How Did It Evolve? (2002)Tell-Tale Rhythms: Embodiment and Narrative Discourse (2014)Beyond the Pleasure Principle (2015)Reconsidering second-person narration and involvement (2016)Narrative Theory for Complexity Scientists (2018)The Anxiety of Influence: A Theory of Poetry (1974)Brahms and the Principle of Developing Variation (1984)Feminine Endings: Music, Gender, and Sexuality (1992)Suffering Children: Perspectives on Innocence and Vulnerability in Mahler's Fourth Symphony (1999)Reforming Johannes: Brahms, Kreisler Junior and the Piano Trio in B, Op. 8 (2007)Tonal and Rhythmic-Metric Process in Brahms's Early C-Minor Scherzos (2012)The Presentation of Self in Everyday Life. (1956)Adorno, Theodor W. (2006)Liveness: performance in a mediatized culture (2008)Virtuosity/Virtuoso (2018)Nothing in Biology Makes Sense except in the Light of Evolution (1973)Exaptation—a Missing Term in the Science of Form (1982)Darwin's dangerous idea: evolution and the meanings of life (1995)‘The Heavens are Telling’: Memetic– Calvinian Readings of a Haydn Chord Progression (2012)Using Galant Schemata as Evidence for Universal Darwinism (2013)A memetic analysis of a phrase by Beethoven: Calvinian perspectives on similarity and lexicon-abstraction (2015)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical Form (1998)Elements of Sonata Theory (2006)Meter Metrics (2015)“Attractor Tempi” in Brahms’s Symphony No. 2/III (2018)Enacting Musical Time (2019)After Virtue: A Study in Moral Theory (1984)Gay New York: gender, urban culture, and the making of the gay male world, 1890-1940 (1994)Musicking: the meanings of performing and listening (1999)Divided by a Common Language (2019)The Cambridge Companion to Operetta (2019)The Cambridge Haydn Encyclopedia (2019)Performing Practice in the Late Nineteenth Century, with Special Reference to the Music of Brahms (1984)Towards a New Poetics of Musical Influence (1991)Late-Nineteenth-Century Chamber Music and the Cult of the Classical Adagio (1999)Rethinking Brahms (2022)Music Theory, Phenomenology, and Modes of Perception (1986)Integrating Disability, Transforming Feminist Theory (2002)Disability and the Justification of Inequality in American History (2013)Third-party turns and shared knowledge: Supports and challenges to disabled people in social care and research settings (2016)Rehabilitation as a Disability Equality Issue: A Conceptual Shift for Disability Studies? (2018)The Challenges of Accessible Tourism Information Systems for Tourists With Vision Impairment (2021)The sociology of philosophies: a global theory of intellectual change (1999)Musicking: The Meanings of Performing and Listening (2000)Naming the Frames that Shape Us (2020)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2018Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism52 cited
  • 2018Broken Beauty38 cited
  • 2009Metric Cubes in Some Music of Brahms28 cited
  • 2018Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism27 cited
  • 2011Johannes Brahms26 cited
  • 2011The Common Basis of Narrative and Music: Somatic, Social, and Affective Foundations15 cited
  • 2018Representing Disability15 cited
  • 2010Memesatz contra Ursatz: Memetic perspectives on the aetiology and evolution of musical structure13 cited
  • 1998Brahms and the Anxiety of Allusion10 cited
  • 2009On Reception of Improvised Music6 cited
  • 2021Art Music, Perfection and Power: Critical Encounters with Classical Music Culture in Contemporary Cinema3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work