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Cover, Custom, and DIY? Memetic Features in Multimedia Creative Practices
16 references·0 citing·37 second hop
Cover, Custom, and DIY? Memetic Features in Multimedia Creative Practices (2022)Cover, Custom, and DIY? Memetic Features …DIY Music and the Politics of Social Media (2020)DIY Music and the Politics of…The Discursive Power of Memes in Digital Culture (2019)The Discursive Power of Memes…Internet Memes and Society (2019)Internet Memes and SocietyThe World Made Meme (2016)The World Made MemeInternet memes as contested cultural capital: The case of 4chan’s /b/ board (2015)Internet memes as contested c…The social mediascape of transnational Korean pop culture: Hallyu 2.0 as spreadable media practice (2014)The social mediascape of tran…Unruly Media (2013)Unruly MediaRemix Theory (2012)Remix TheoryHere We Go Again (2012)Here We Go AgainWhat Makes Online Content Viral? (2011)What Makes Online Content Vir…Confronting the Challenges of Participatory Culture: Media Education for the 21st Century (2006)Confronting the Challenges of…The Selfish Meme: A Critical Reassessment (2004)The Selfish Meme: A Critical …Experiencing music video: aesthetics and cultural context (2004)Experiencing music video: aes…Virus of the Mind: The New Science of the Meme (1995)Virus of the Mind: The New Sc…Dancing in the distraction factory: music television and popular culture (1993)Dancing in the distraction fa…Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture (1987)Rocking Around the Clock: Mus…LITERACY IN THE NEW MEDIA AGE (2003)Natural-Born Cyborgs: Minds, Technologies, and the Future of Human Intelligence (2004)The Impact of Social Media on Children, Adolescents, and Families (2011)A comparative analysis of international frameworks for 21 st century competences: Implications for national curriculum policies (2012)Foundations of Game-Based Learning (2015)The Discovery of Grounded Theory: Strategies for Qualitative Research. (1968)Basics of qualitative research (1990)Basics of Qualitative Research (1992)Digital cultures of political participation: Internet memes and the discursive delegitimization of the 2016 U.S Presidential candidates (2017)Pierre Bourdieu: theorizing the digital (2017)Conceptualizing digital capital (2018)Social Behavior as Exchange (1958)A New Product Growth for Model Consumer Durables (1969)The Effect of Word of Mouth on Sales: Online Book Reviews (2006)Emotions and Information Diffusion in Social Media—Sentiment of Microblogs and Sharing Behavior (2013)Word of mouth and interpersonal communication: A review and directions for future research (2014)Beyond misinformation: Understanding and coping with the “post-truth” era. (2017)Club cultures: music, media and subcultural capital (1996)Arts and aesthetics: Marketing and cultural production (2006)Creativity and Innovation in the Music Industry (2006)Consumer Culture and Postmodernism (1993)Liberatory Postmodernism and the Reenchantment of Consumption (1995)Marketing in a postmodern world (1995)Sense and nonsense: evolutionary perspectives on human behaviour (2003)The Theory of Cultural and Social Selection (2009)Inoculating the Public against Misinformation about Climate Change (2017)Performing Gender: A Content Analysis of Gender Display in Music Videos (2010)“Check On It” (2011)Race and the Yugoslav region (2018)(((They))) rule: Memetic antagonism and nebulous othering on 4chan (2019)COVID-19 memes going viral: On the multiple multimodal voices behind face masks (2020)On Frogs, Monkeys, and Execution Memes: Exploring the Humor-Hate Nexus at the Intersection of Neo-Nazi and Alt-Right Movements in Sweden (2021)El videoclip postelevisivo actual. Propuesta metodológica y análisis estético (2016)Subscribing to Sex Edutainment (2016)Aberrant AI creations: co-creating surrealist body horror using the DALL-E Mini text-to-image generator (2023)The playful politics of memes (2021)What is a meme, technically speaking? (2023)
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References

  • 2011What Makes Online Content Viral?3,175 cited
  • 2006Confronting the Challenges of Participatory Culture: Media Education for the 21st Century3,173 cited
  • 1993Dancing in the distraction factory: music television and popular culture425 cited
  • 1995Virus of the Mind: The New Science of the Meme418 cited
  • 2015Internet memes as contested cultural capital: The case of 4chan’s /b/ board416 cited
  • 2016The World Made Meme372 cited
  • 1987Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture353 cited
  • 2019The Discursive Power of Memes in Digital Culture288 cited
  • 2004Experiencing music video: aesthetics and cultural context281 cited
  • 2013Unruly Media243 cited
  • 2019Internet Memes and Society210 cited
  • 2014The social mediascape of transnational Korean pop culture: Hallyu 2.0 as spreadable media practice138 cited
  • 2004The Selfish Meme: A Critical Reassessment135 cited
  • 2012Remix Theory108 cited
  • 2012Here We Go Again61 cited
  • 2020DIY Music and the Politics of Social Media48 cited

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