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Interpreting unusual imagery: a rare rock art depiction of a bushbuck in the southeastern mountains of South Africa
13 references·0 citing·37 second hop
Interpreting unusual imagery: a rare rock art depiction of a bushbuck in the southeastern mountains of South Africa (2022)Interpreting unusual imagery: a rare rock…Southern African Field Archaeology (2022)Southern African Field Archae…The earliest directly dated rock paintings from southern Africa: new AMS radiocarbon dates (2017)The earliest directly dated r…Rock art and regional identity: a comparative perspective (2015)Rock art and regional identit…Southern African San Rock Painting as Social Intervention: A Study of Rain-Control Images (2004)Southern African San Rock Pai…Nqabayo’s Nomansland: San Rock Art and the Somatic Past (2004)Nqabayo’s Nomansland: San Roc…Stories that float from afar: ancestral folklore of the San of southern Africa (2001)Stories that float from afar:…Fragile Heritage. A Rock Art Fieldguide (1999)Fragile Heritage. A Rock Art …Quanto?: The Issue of 'Many Meanings' in Southern African San Rock Art Research (1998)Quanto?: The Issue of 'Many M…The late Quaternary of the Lesotho highlands, southern Africa: Preliminary results and future potential of ongoing research at Sehonghong shelter (1996)The late Quaternary of the Le…Modelling the Production and Consumption of Rock Art (1995)Modelling the Production and …Revelations of religious reality: The individual in San rock art (1988)Revelations of religious real…People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought (1978)People of the Eland: Rock-Pai…Ndedema. A documentation of the rock paintings of the Ndedema Gorge (1978)Ndedema. A documentation of t…Shamanism: Archaic Techniques of Ecstasy (1951)Outline of a Theory of Practice. (1980)The Constitution of Society. Outline of the Theory of Structuration (1984)Agency, art and altered consciousness: a motif in French (Quercy) Upper Palaeolithic parietal art (1997)Shamanism and Cognitive Evolution (with comments) (2002)NEANDERTAL SOCIAL STRUCTURE? (2012)Culture and Communication (1976)Advances in world archaeology (1984)Reconstructing Archaeology: Theory and Practice. (1994)Therianthropes in San Rock Art (2002)Art And Agency (1998)Art and Agency: An Anthropological Theory (1999)Ritual and Religion in the Making of Humanity (1999)Milestones in the development of symbolic behaviour: a case study from Wonderwerk Cave, South Africa (2009)Envisioning San History: Problems in the Reading of History in the Rock Art of the Maloti-Drakensberg Mountains of South Africa (2010)‘Rain snakes’ from the Senqu River: new light on Qing's commentary on San rock art from Sehonghong, Lesotho (2013)'Art Mobilier' from the Apollo 11 Cave, South West Africa: Africa's Oldest Dated Works of Art (1976)Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)The mind in the cave: consciousness and the origins of art (2003)Pigments, binders, and ages of rock art at Viuda Quenzana, Santa Cruz, Patagonia (Argentina) (2018)First in situ pXRF analyses of rock paintings in Erongo, Namibia: results, current limits, and prospects (2019)Making visible the invisible. A microarchaeology approach and an Archaeology of Color perspective for rock art paintings from the southern cone of South America (2020)Images of Power: Understanding Bushman Rock Art (1990)Through the Veil: San Rock Paintings and the Rock Face (1990)A Social History of Dying (2007)Negotiating Yanyuwa Rock Art (2016)Compound‐Adhesive Manufacture as a Behavioral Proxy for Complex Cognition in the Middle Stone Age (2010)The Still Bay and Howiesons Poort, 77–59 ka (2011)Those marvellous millennia: the Middle Stone Age of Southern Africa (2015)Secret San of the Drakensberg and their rock art legacy (2009)The Jackal and the Lion: Aspects of Khoisan Folklore (2016)Three nineteenth-century Southern African San myths: a study in meaning (2018)Bushmen of the Okavango (2019)Reading art, writing history: Rock art and social change in Southern Africa (1994)The Woman with the Zebra's Penis: Gender, Mutability and Performance (1997)The Prehistoric Development of Clothing: Archaeological Implications of a Thermal Model (2010)Dating rock paintings in the uKhahlamba-Drakensberg and the Biggarsberg, KwaZulu-Natal, South Africa (2003)
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References

  • 1978People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought269 cited
  • 2022Southern African Field Archaeology152 cited
  • 1998Quanto?: The Issue of 'Many Meanings' in Southern African San Rock Art Research90 cited
  • 2004Nqabayo’s Nomansland: San Rock Art and the Somatic Past79 cited
  • 1995Modelling the Production and Consumption of Rock Art77 cited
  • 2017The earliest directly dated rock paintings from southern Africa: new AMS radiocarbon dates73 cited
  • 2004Southern African San Rock Painting as Social Intervention: A Study of Rain-Control Images67 cited
  • 1978Ndedema. A documentation of the rock paintings of the Ndedema Gorge66 cited
  • 1988Revelations of religious reality: The individual in San rock art63 cited
  • 2001Stories that float from afar: ancestral folklore of the San of southern Africa62 cited
  • 1996The late Quaternary of the Lesotho highlands, southern Africa: Preliminary results and future potential of ongoing research at Sehonghong shelter56 cited
  • 2015Rock art and regional identity: a comparative perspective29 cited
  • 1999Fragile Heritage. A Rock Art Fieldguide12 cited

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