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The Structure of Recognizable Diatonic Tunings
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Cited by

  • 1988Progressive harmonic theory in the mid‐nineteenth century38 cited
  • 2007Coherence and sameness in well-formed and pairwise well-formed scales24 cited
  • 1999Pianos and Continued Fractions21 cited
  • 2006Just Intonation in Renaissance Theory and Practice19 cited
  • 2007Enharmonic systems: A theory of key signatures, enharmonic equivalence and diatonicism17 cited
  • 2002On Coherence and Sameness, and the Evaluation of Scale Candidacy Claims16 cited
  • 2012What is a Function?16 cited
  • 2007Continued fractions, best measurements, and musical scales and intervals12 cited
  • 2012Three Short Essays on Neo-Riemannian Theory10 cited
  • 2010Music Theory: Speculation, Reasoning, Experience. A Perspective from Systematic Musicology4 cited
  • 1992The Cartesian Choir4 cited
  • 2019Consonance based interval systems and their matrices: Leibniz's harmonic equations4 cited
  • 2012The Problem of Harmonic Dualism2 cited
  • 2012“The Nature of Harmony”1 cited

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