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Degradation of Fourteenth-century Mordant Gilding Layers: Synchrotron-based Microfocus XRF, XRD, and XANES Analyses of Two Paintings by Pietro Lorenzetti
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References

  • 2015Data Analysis WorkbeNch ( DAWN )481 cited
  • 1974Mappae Clavicula: A Little Key to the World of Medieval Techniques231 cited
  • 2014MANTiS: a program for the analysis of X-ray spectromicroscopy data138 cited
  • 2002The role of H2S in pigment blackening97 cited
  • 2015Tracking the transformation and transport of arsenic sulfide pigments in paints: synchrotron-based X-ray micro-analyses94 cited
  • 2016Analytical imaging studies of the migration of degraded orpiment, realgar, and emerald green pigments in historic paintings and related conservation issues83 cited
  • 2013Full-field XANES analysis of Roman ceramics to estimate firing conditions—A novel probe to study hierarchical heterogeneous materials72 cited
  • 1990Art in the Making: Italian Painting before 140072 cited
  • 2016Visualization of As( iii ) and As( v ) distributions in degraded paint micro-samples from Baroque- and Rococo-era paintings64 cited
  • 2017The darkening of copper- or lead-based pigments explained by a structural modification of natural orpiment: a spectroscopic and electrochemical study46 cited
  • 2011Mediaeval Painters’ Materials and Techniques: The Montpellier Liber diversarum arcium41 cited
  • 2019Combined Micro- and Macro scale X-ray powder diffraction mapping of degraded Orpiment paint in a 17th century still life painting by Martinus Nellius40 cited
  • 2018Assessing the stability of arsenic sulfide pigments and influence of the binding media on their degradation by means of spectroscopic and electrochemical techniques

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36 cited
  • 2021Development of a multi-method analytical approach based on the combination of synchrotron radiation X-ray micro-analytical techniques and vibrational micro-spectroscopy methods to unveil the causes and mechanism of darkening of “fake-gilded” decorations in a Cimabue painting24 cited
  • 2017Colour: The Art and Science of Illuminated Manuscripts18 cited
  • 2017From macro to micro: An advanced macro X-ray fluorescence (MA-XRF) imaging approach for the study of painted surfaces18 cited
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