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Traditional science in pigments and recipe of painting woodcarving in medieval Assam, India
16 references·0 citing·47 second hop
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References

  • 2001Conservation of Wood Artifacts224 cited
  • 1968Lapis Lazuli: The Early Phases of Its Trade124 cited
  • 2015Tracking the transformation and transport of arsenic sulfide pigments in paints: synchrotron-based X-ray micro-analyses94 cited
  • 1999Historical Painting Techniques, Materials, and Studio Practice91 cited
  • 2006Diffuse reflection FTIR spectral database of dyes and pigments87 cited
  • 2013Microanalysis of clay‐based pigments in painted artworks by the means of Raman spectroscopy59 cited
  • 1986Study and conservation of museum objects: Use of classical analytical techniques48 cited
  • 2018Assessing the stability of arsenic sulfide pigments and influence of the binding media on their degradation by means of spectroscopic and electrochemical techniques36 cited
  • 2018Portable and laboratory analytical instruments for the study of materials, techniques and environmental impacts in mediaeval mural paintings31 cited
  • 2012Allochthonous red pigments used in burial practices at the Copper Age site of Valencina de la Concepción (Sevilla, Spain): characterisation and social dimension28 cited
  • 2014A scientific study of the pigments in the wall paintings at Jokhang Monastery in Lhasa, Tibet, China23 cited
  • 2017Artists before Columbus: A multi-method characterization of the materials and practices of Caribbean cave art20 cited
  • 2010Raman spectroscopic study of medieval Indian art of 17th century19 cited

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  • 1953Mughal Painting under Akbar the Great14 cited
  • 2021A Review on Historical Earth Pigments Used in India’s Wall Paintings14 cited
  • 2005The Wine-Cup in Mughal Court Culture—From Hedonism to Kingship12 cited
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