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Tacita Dean’s Affective Intermediality: Precarious Visions in-between the Visual Arts, Cinema, and the Gallery Film
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Tacita Dean’s Affective Intermediality: Precarious Visions in-between the Visual Arts, Cinema, and the Gallery Film (2023)Tacita Dean’s Affective Intermediality: P…Atmospheres of Projection (2022)Atmospheres of ProjectionRaymond Bellour (2018)Raymond BellourKeywords for Media Studies (2017)Keywords for Media StudiesFilm History as Media Archaeology (2016)Film History as Media Archaeo…Hanan al-Cinema (2015)Hanan al-CinemaExhibiting Cinema in Contemporary Art (2013)Exhibiting Cinema in Contempo…The Deleuze Dictionary Revised Edition (2010)The Deleuze Dictionary Revise…The Affect Theory Reader (2010)The Affect Theory ReaderScreens (2010)ScreensNature Caught in the Act: On the Transformation of an Idea of Art in Early Cinema (2009)Nature Caught in the Act: On …Cinema as dispositif: Between Cinema and Contemporary Art (2009)Cinema as dispositif: Between…The Autonomy of Affect (1995)The Autonomy of AffectIdeological Effects of the Basic Cinematographic Apparatus (1974)Foucault (1986)Dits et écrits, 1954-1988, Tome III (1994)Time, Space, Velocity, and Scale (2018)Early screen culture in colonial Hong Kong (1897–1907) (2019)The Question Concerning Technology, and Other Essays (1977)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Precarious Life: The Powers of Mourning and Violence (2004)A DIY Come-On: A History of Optical Printing in Avant-Garde Cinema (2018)Made by Hand (2019)Screen Space Reconfigured (2020)Parental Mediation Theory for the Digital Age (2011)Affect and discourse – What’s the problem? From affect as excess to affective/discursive practice (2013)The New Materialisms and Indigenous Theories of Non-Human Agency: Making the Case for Respectful Anti-Colonial Engagement (2019)The Makings of a Contradictory Franchise: Revolutionary Melodrama and Cynicism in The Hunger Games (2018)The Queer Business of Casting Gay Characters on U.S. Television (2018)Conceptualizing evaluations of the political relevance of media texts: The Politically Relevant Media Model (2024)The Ghosts of Industrial Ruins: Ordering and Disordering Memory in Excessive Space (2005)New materialist social inquiry: designs, methods and the research-assemblage (2014)Staging atmospheres: Materiality, culture, and the texture of the in-between (2014)Trans-forming Higher Education (2016)Religious Belonging in the East Asian Context: An Exploration of Rhizomatic Belonging (2019)The Coalition of Immokalee Workers Uses Ensemble Storytelling Processes to Overcome Enslavement in Corporate Supply Chains (2020)The Cinema of Attractions Reloaded (2006)Screen Genealogies (2019)The Politics of Nostalgia: Colorization, Spectatorship and the Archive (2021)Diagrams (2021)Not Knowing: In the Presence of … (2021)Writing an Ethnographic Story in Working toward Responsibly Unearthing Ontological Troubles (2021)Curating Lights and Shadows, or the Remapping of the Lived Experience of Space (2015)Between the Art Canon and the Margins: Historicizing Technology-Reliant Art via Curatorial Practice (2019)We Live Here: Media Architecture as Critical Spatial Practice (2019)
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References

  • 2010The Affect Theory Reader2,213 cited
  • 1995The Autonomy of Affect1,800 cited
  • 2010The Deleuze Dictionary Revised Edition159 cited
  • 2013Exhibiting Cinema in Contemporary Art140 cited
  • 2015Hanan al-Cinema111 cited
  • 2016Film History as Media Archaeology82 cited
  • 2010Screens60 cited
  • 2017Keywords for Media Studies49 cited
  • 2022Atmospheres of Projection40 cited
  • 2009Cinema as dispositif: Between Cinema and Contemporary Art36 cited
  • 2009Nature Caught in the Act: On the Transformation of an Idea of Art in Early Cinema8 cited
  • 2018Raymond Bellour6 cited

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