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Cultural Heritage, Intangible Assets, and Fashion Branding
16 references·0 citing·37 second hop
Cultural Heritage, Intangible Assets, and Fashion Branding (2023)Cultural Heritage, Intangible Assets, and…Handbook of Cultural Economics (2020)Handbook of Cultural EconomicsThe emergence of Italy as a fashion country: Nation branding and collective meaning creation at Florence’s fashion shows (1951–1965) (2017)The emergence of Italy as a f…Reviving sleeping beauty brands by rearticulating brand heritage (2016)Reviving sleeping beauty bran…The Oxford Handbook of Creative Industries (2015)The Oxford Handbook of Creati…New French Luxury: Art, Fashion and the Re-Invention of a National Brand (2015)New French Luxury: Art, Fashi…History as an intangible asset for the Italian fashion business (1950-1954) (2015)History as an intangible asse…M(Art)Worlds: Consumer Perceptions of How Luxury Brand Stores Become Art Institutions (2014)M(Art)Worlds: Consumer Percep…Fashion as a System: Changes in Demand as the Basis for the Establishment of the Italian Fashion System (1960–1970) (2010)Fashion as a System: Changes …Fashion as Art; is Fashion Art? (2007)Fashion as Art; is Fashion Ar…Deluxe: How Luxury Lost Its Luster (2007)Deluxe: How Luxury Lost Its L…Turning Fashion into Business: The Emergence of Milan as an International Fashion Hub (2006)Turning Fashion into Business…Copying and Copyrighting Haute Couture: Democratizing Fashion,1900-1930s (2005)Copying and Copyrighting Haut…Cultural Industries and the Production of Culture (2004)Cultural Industries and the P…Couture Culture: A Study in Modern Art and Fashion (2004)Couture Culture: A Study in M…Reconstructing Italian fashion: America and the development of the Italian fashion industry (2001)Reconstructing Italian fashio…Adorned in Dreams: Fashion and Modernity (1989)Adorned in Dreams: Fashion an…Possessions and the Extended Self (1988)Evolving to a New Dominant Logic for Marketing (2003)Managing heritage brands: A study of the sacralization of heritage stores in the luxury industry (2014)The Interpretation of Cultures (2017)The role of aesthetics and design in hotelscape: A phenomenological investigation of cosmopolitan consumers (2017)The allure of luxury brands’ social media activities: a uses and gratifications perspective (2018)The Psychology of Clothes (1933)British Fashion Design: Rag Trade or Image Industry? (1998)British Fashion Design (2003)Spinoff dynamics and the spatial formation of the fashion design industry, 1858-2005 (2008)Firm entry and institutional lock-in: an organizational ecology analysis of the global fashion design industry (2011)‘Do not expect me to stay quiet’: Challenges in managing a historical strategic resource (2018)The Discovery of Grounded Theory: Strategies for Qualitative Research. (1968)The Invention of Tradition (1986)Handbook of Qualitative Research. (1995)Destination branding and overtourism (2018)Nostalgia marketing and (re-)enchantment (2019)Mobile payment adoption in Latin America (2022)The Creative Class and Economic Development (2014)Misfits, Mavericks and Mainstreams: Drivers of Innovation in the Creative Industries (2016)Project Networks: Governance Choices and Paradoxical Tensions (2016)Bourdieu, the media and cultural production (2006)Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited (2006)Creative Class and Regional Growth: Empirical Evidence from Seven European Countries (2009)Prada and the Art of Patronage (2007)Beautiful Clothes Violet Angotti, Twentieth-Century Dress Designer (2011)Chapter 25 Stardom and Talent (2006)Digital business model innovation in metaverse: How to approach virtual economy opportunities (2023)The paradox of atmosphere: Tourism, heritage, and urban liveability (2023)Clothing, age and the body: a critical review (2007)Sociology of Fashion: Order and Change (2013)Competently Ordinary: New Middle Class Consumers in the Emerging Markets (2014)Does Advertising Spending Influence Media Coverage of the Advertiser? (2009)Passionate Work? Labour Conditions in the Milan Fashion Industry (2010)The Catch-22 of Responsible Luxury: Effects of Luxury Product Characteristics on Consumers’ Perception of Fit with Corporate Social Responsibility (2013)Pre-loved luxury: identifying the meanings of second-hand luxury possessions (2015)Refashioning a Field? Connected Consumers and Institutional Dynamics in Markets (2015)
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References

  • 2004Cultural Industries and the Production of Culture460 cited
  • 1989Adorned in Dreams: Fashion and Modernity433 cited
  • 2015The Oxford Handbook of Creative Industries274 cited
  • 2007Deluxe: How Luxury Lost Its Luster233 cited
  • 2014M(Art)Worlds: Consumer Perceptions of How Luxury Brand Stores Become Art Institutions194 cited
  • 2020Handbook of Cultural Economics129 cited
  • 2004Couture Culture: A Study in Modern Art and Fashion104 cited
  • 2016Reviving sleeping beauty brands by rearticulating brand heritage104 cited
  • 2001Reconstructing Italian fashion: America and the development of the Italian fashion industry68 cited
  • 2006Turning Fashion into Business: The Emergence of Milan as an International Fashion Hub65 cited
  • 2007Fashion as Art; is Fashion Art?62 cited
  • 2005Copying and Copyrighting Haute Couture: Democratizing Fashion,1900-1930s37 cited
  • 2017The emergence of Italy as a fashion country: Nation branding and collective meaning creation at Florence’s fashion shows (1951–1965)35 cited
  • 2010Fashion as a System: Changes in Demand as the Basis for the Establishment of the Italian Fashion System (1960–1970)21 cited
  • 2015History as an intangible asset for the Italian fashion business (1950-1954)

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18 cited
  • 2015New French Luxury: Art, Fashion and the Re-Invention of a National Brand17 cited
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