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Cited by

• 2007Hidden Forms in Palestrina's First Book of Four-Voice Motets73 cited
• 1999"And Josquin Laughed..." Josquin and the Composer's Anecdote in the Sixteenth Century72 cited
• 2018Women and Music in Sixteenth-Century Ferrara57 cited
• 2019The Cambridge History of Sixteenth-Century Music52 cited
• 2005The seventeenth-century musical ‘work’50 cited
• 2002Counterpoint pedagogy in the Renaissance40 cited
• 2019Music in the Early Colonial World24 cited
• 2013Renaissance Improvisation and Musicology21 cited
• 2002Musica practica: music theory as pedagogy21 cited
• 2004The Library and Material Texts20 cited
• 2010A Medieval Scholasticus and Renaissance Choirmaster: A Portrait of John Hothby at Lucca18 cited
• 2015Compositional Strategies in Purcell’s Second Three-Part Fantazia15 cited
• 2008“When in Rome……”: What Josquin Learned in the Sistine Chapel15 cited
• 2008Music Theory from Boethius to Zarlino: A Bibliography and Guide14 cited
• 2013Critical Responses to “Theorizing Improvisation (Musically)”9 cited