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Documentary film practice at the Institute of Film and Television, Ghana: truth claims, oral histories and documentary strategies
7 references·0 citing·27 second hop
Documentary film practice at the Institute of Film and Television, Ghana: truth claims, oral histories and documentary strategies (2023)Documentary film practice at the Institut…Introduction to Documentary, Third Edition (2017)Introduction to Documentary, …Making a genre: the case of the contemporary true crime documentary (2016)Making a genre: the case of t…The Legal Trial And/In Documentary Film (2014)The Legal Trial And/In Docume…Documentary/Vérité: Bio-Politics, Human Rights and the Figure of “Truth” in Contemporary Art (2004)Documentary/Vérité: Bio-Polit…Images of the 'Reel' Thing: African Video-Films and the Emergence of a New Cultural Art (2000)Images of the 'Reel' Thing: A…Representing reality: issues and concepts in documentary (1992)Representing reality: issues …The Ontology of the Photographic Image (1960)The Ontology of the Photograp…Eichmann in Jerusalem. A Report on the Banality of Evil (1965)The archaeology of knowledge ; and, The discourse on language (1972)The Human Condition (1998)Picture-Work (2023)Colonial Imaginary, Tropes of Disruption (2025)World Platforms, Exhibiting Adjacency, and the Surplus Value of Art (2015) (2025)Local Knowledge: Further Essays In Interpretive Anthropology (1983)Introduction to documentary (2002)What Do Pictures Want? (2005)Between a ‘media circus’ and ‘seeing justice being done’: Metajournalistic discourse and the transparency of justice in the debate on filming trials in British newspapers (2018)Stylistic choices in true-crime documentaries: the duty of responsibility between filmmaker and audience (2021)Death, Grief, and Mourning in an ICTY Film: Exploring Relational and Non/Living Worlds (2024)The Routledge Companion to Aesthetics (2005)What's the Point of an Index? or, Faking Photographs (2008)A philosophy of cinematic art (2010)A literature review: Nigerian and Ghanaian videos (2010)Translation and the Visual Predicament of the “JESUS” Film in West Africa (2010)The Influence of the Portrayal of Godfatherism in Nollywood Films on Nigerian Voter Behavior (2015)Reality beckons: metamodernist depthiness beyond panfictionality (2019)Seeking Justice Elsewhere: Informal and formal justice in the true crime podcasts Trace and The Teacher’s Pet (2020)Netflix in Europe: Four Markets, Four Platforms? A Comparative Analysis of Audio-Visual Offerings and Investment Strategies in Four EU States (2021)Streng vertraulich! Dokufiktionales Erzählen als Schreibweise des Politischen in der Literatur der Gegenwart anhand von Ilija Trojanows Macht und Widerstand (2018)Reel cruelty: Voyeurism and extra-juridical punishment in true-crime documentaries (2020)The Fiction/Nonfiction Distinction: Documentary Studies and Analytic Aesthetics in Conversation (2021)True Lies: Perceptual Realism, Digital Images, and Film Theory (1996)New mediation and direct representation: reconceptualizing representation in the digital age (2005)The Internet and democratic citizenship: theory, practice and policy (2010)
this work references cited by second hop

References

  • 1992Representing reality: issues and concepts in documentary1,609 cited
  • 1960The Ontology of the Photographic Image748 cited
  • 2017Introduction to Documentary, Third Edition286 cited
  • 2016Making a genre: the case of the contemporary true crime documentary78 cited
  • 2004Documentary/Vérité: Bio-Politics, Human Rights and the Figure of “Truth” in Contemporary Art58 cited
  • 2014The Legal Trial And/In Documentary Film30 cited
  • 2000Images of the 'Reel' Thing: African Video-Films and the Emergence of a New Cultural Art28 cited

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