Colonial Imaginary, Tropes of Disruption

Okwui Enwezor · Octavio Zaya

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Photographic and Visual Arts African history and culture studies Photography and Visual Culture

Abstract

Written with Octavio Zaya, this essay introduced the catalog of the exhibition In/Sight: African Photographers, 1940 to the Present, shown at the Solomon R. Guggenheim Museum, New York, from May to September 1996. Curated by Enwezor and Zaya, along with Clare Bell and Danielle Tilkin, the exhibition presented the work of thirty photographers, most of whose work was seen for the first time by US viewers.

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References

2010Contemporary African art since 1980 2009Archive fever: uses of the document in contemporary art 1997In/Sight: African Photographers, 1940 to the Present 2002The Short Century: Independence and Liberation Movements in Africa, 1945-1994 2003The Postcolonial Constellation: Contemporary Art in a State of Permanent Transition 1999Global Conceptualism : Points of Origin, 1950s-1980s 2010Modernity and Postcolonial Ambivalence 2001Reading the Contemporary: African Art from Theory to the Marketplace

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