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Colonial Imaginary, Tropes of Disruption
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Colonial Imaginary, Tropes of Disruption (2025)Colonial Imaginary, Tropes of DisruptionMega-exhibitions and the Antinomies of a Transnational Global Form (2003-4) (2025)Mega-exhibitions and the Anti…Modernity and Postcolonial Ambivalence (2010)Modernity and Postcolonial Am…Contemporary African art since 1980 (2010)Contemporary African art sinc…Questionnaire on “The Contemporary” (2009)Questionnaire on “The Contemp…Archive fever: uses of the document in contemporary art (2009)Archive fever: uses of the do…ALTERMODERN: TATE TRIENNIAL. (2009)ALTERMODERN: TATE TRIENNIAL.Antinomies of Art and Culture (2008)Antinomies of Art and CultureThe Ghosts of Songs: The Film Art of the Black Audio Film Collective (2007)The Ghosts of Songs: The Film…The Manifesta decade : debates on contemporary art exhibitions and biennials in post-wall Europe (2006)The Manifesta decade : debate…The Postcolonial Constellation: Contemporary Art in a State of Permanent Transition (2003)The Postcolonial Constellatio…The Short Century: Independence and Liberation Movements in Africa, 1945-1994 (2002)The Short Century: Independen…Century city: art and culture in modern metropolis (2002)Century city: art and culture…Reading the Contemporary: African Art from Theory to the Marketplace (2001)Reading the Contemporary: Afr…Global Conceptualism : Points of Origin, 1950s-1980s (1999)Global Conceptualism : Points…In/Sight: African Photographers, 1940 to the Present (1997)In/Sight: African Photographe…ART IN SOUTH AFRICA: THE FUTURE PRESENT (1997)ART IN SOUTH AFRICA: THE FUTU…The Social Life of Things (1986)The Predicament of Culture (1988)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)The Contemporary (2017)Considering Huanjing: Positioning Experimental Art in China (2004)World Platforms, Exhibiting Adjacency, and the Surplus Value of Art (2015) (2025)Cultural Sovereignty in a Global Art Economy: Egyptian Cultural Policy and the New Western Interest in Art from the Middle East (2006)The Topology of Contemporary Art (2008)The Memory of Photography (2010)The ethics and politics of data sets in the age of machine learning: deleting traces and encountering remains (2022)Documenta 11 (2016)Africa since 1940 (2019)Self and Accessory in Gambian Studio Photography (2000)Notes from the Surface of the Image (2003)Mediating the family imaginary: young people negotiating absence in transnational refugee families (2016)Technological Elites, the Meritocracy, and Postracial Myths in Silicon Valley (2019)Art History and the Dialogics of Diaspora (2012)Sharing America's neighborhoods: the prospects for stable racial integration (2001)From London to Mumbai and Back Again: Gentrification and Public Policy in Comparative Perspective (2008)Autonomy Guaranteed? Cultural Work and the “Art–Commerce Relation” (2010)
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References

  • 2010Contemporary African art since 1980197 cited
  • 2009Archive fever: uses of the document in contemporary art196 cited
  • 1997In/Sight: African Photographers, 1940 to the Present161 cited
  • 2002The Short Century: Independence and Liberation Movements in Africa, 1945-1994152 cited
  • 2003The Postcolonial Constellation: Contemporary Art in a State of Permanent Transition129 cited
  • 1999Global Conceptualism : Points of Origin, 1950s-1980s127 cited
  • 2010Modernity and Postcolonial Ambivalence122 cited
  • 2001Reading the Contemporary: African Art from Theory to the Marketplace116 cited
  • 2007The Ghosts of Songs: The Film Art of the Black Audio Film Collective115 cited
  • 2002Century city: art and culture in modern metropolis96 cited
  • 2009Questionnaire on “The Contemporary”95 cited
  • 2008Antinomies of Art and Culture85 cited
  • 2006The Manifesta decade : debates on contemporary art exhibitions and biennials in post-wall Europe83 cited
  • 2009ALTERMODERN: TATE TRIENNIAL.81 cited
  • 1997ART IN SOUTH AFRICA: THE FUTURE PRESENT79 cited
  • 2025Mega-exhibitions and the Antinomies of a Transnational Global Form (2003-4)

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