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Slendro Culture, Balungan Concept, and Inner Melody of Jawatimuran Karawitan
16 references·0 citing·44 second hop
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References

  • 2018QUALITATIVE RESEARCH METHODOLOGY IN SOCIAL SCIENCES AND RELATED SUBJECTS1,590 cited
  • 2008Participant Observation as a Data Collection Method1,215 cited
  • 2006Observation: A Complex Research Method401 cited
  • 2017Observation Methods225 cited
  • 2007Knowing Through Making: The Role of the Artefact in Practice-led Research176 cited
  • 2005Unplayed melodies: Javanese gamelan and the genesis of music theory130 cited
  • 1975Music in Java; Its History, Its Theory and Its Technique117 cited
  • 1996Gamelan: cultural interaction and musical development in central Java101 cited
  • 2009BOTHEKAN KARAWITAN II : GARAP88 cited
  • 1954The nuclear theme as a determinant of paṭet in Javanese music38 cited
  • 1995Traditions of Gamelan Music in Java: Musical Pluralism and Regional Identity35 cited
  • 2019Traditional Music in Modern Java31 cited
  • 1975Inner Melody in Javanese Gamelan Music15 cited
  • 1985The concept of pathet in Central Javanese gamelan music.10 cited
  • 2001Individuality and "Writing" in Javanese Music Learning9 cited
  • 2021Kidungan Jula-juli in East Java: Media of Criticism and Propaganda (From The Japanese Occupation Era to The Reform Order in Indonesia)

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