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Voice Leadings as Generalized Key Signatures
10 references·3 citing·31 second hop
Voice Leadings as Generalized Key Signatures (2005)Voice Leadings as Generalized Key Signatu…Signature Transformations (2008)Signature TransformationsContinuous Transformations (2004)Continuous TransformationsUniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Uniformity, Balance, and Smoo…Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)Tone and Voice: A Derivation …Some Ideas about Voice-Leading between PCSets (1998)Some Ideas about Voice-Leadin…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Maximally Smooth Cycles, Hexa…Vector Products and Intervallic Weighting (1994)Vector Products and Intervall…Maximally Even Sets (1991)Maximally Even SetsGeneralizing Rotational Arrays (1988)Generalizing Rotational ArraysGeneralized Musical Intervals and Transformations (1988)Generalized Musical Intervals…Hipster Harmony (2015)Hipster HarmonyGeometry and the quest for theoretical generality (2013)Geometry and the quest for th…B rahms ' s M otivic H armonies and C ontemporary T onal T heory : T hree C ase S tudies from the C hamber M usic (2009)B rahms ' s M otivic H armoni…Forte's "Interval Vector, My Interval Function", and Regener's "Common-Note Function" (1977)Coherent Tone-Systems: A Study in the Theory of Diatonicism (1996)Construction and interpretation of equal-tempered scales using frequency ratios, maximally even sets, and P-cycles (2000)Philosophizing Time in Sinitic Opera (2023)Perspectives of New Music (1963)The Structure of Atonal Music (1973)The Major Tritone Progression in Recent Hollywood Science Fiction Films (2006)Cross-Type Transformations and the Path Consistency Condition (2007)The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model (1993)The New Grove dictionary of music and musicians (2001)The Geometry of Musical Chords (2006)Embodying Music (2011)A Standardised Procedure for Evaluating Creative Systems: Computational Creativity Evaluation Based on What it is to be Creative (2012)Generalized Musical Intervals and Transformations (2007)S cale T heory , S erial T heory and V oice L eading (2008)Fourier Phase and Pitch-Class Sum (2019)Meter and Grouping in African Music: A View from Music Theory (2000)A Platonic Model of Funky Rhythms (2016)The Geometry of Musical Rhythm (2016)Aspects of Well-Formed Scales (1989)Generalized Voice-Leading Spaces (2008)Action and Agency Revisited (2013)Voice Leading in Set-Class Space (2005)Continuous Harmonic Spaces (2007)Reexamining PC-Set Multiplication, Complex Multiplication, and Transpositional Combination to Determine Their Formal and Functional Equivalence (2014)Afro-Electric Counterpoint (2019)Rethinking Reich (2019)A Cognitive Theory of Musical Meaning (2000)Spelled Heptachords (2011)Schubert’s Harmonic Language and Fourier Phase Space (2015)Tonality (2023)
this work references cited by second hop

References

  • 1988Generalized Musical Intervals and Transformations487 cited
  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 2001Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles366 cited
  • 1991Maximally Even Sets203 cited
  • 2003Uniformity, Balance, and Smoothness in Atonal Voice Leading131 cited
  • 2008Signature Transformations84 cited
  • 1998Some Ideas about Voice-Leading between PCSets60 cited
  • 2004Continuous Transformations53 cited
  • 1988Generalizing Rotational Arrays39 cited
  • 1994Vector Products and Intervallic Weighting31 cited

Cited by

  • 2013Geometry and the quest for theoretical generality13 cited
  • 2009B rahms ' s M otivic H armonies and C ontemporary T onal T heory : T hree C ase S tudies from the C hamber M usic7 cited
  • 2015Hipster Harmony5 cited

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