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Shifting the Lens: Photography's Expanding Influence in the Contemporary Art World
16 references·0 citing·25 second hop
Shifting the Lens: Photography's Expanding Influence in the Contemporary Art World (2024)Shifting the Lens: Photography's Expandin…Negative/Positive : A History of Photography (2020)Negative/Positive : A History…Forces and FormsTheories and Methods in the History of Photography (2020)Forces and FormsTheories and …Documents of Doubt: The Photographic Conditions of Conceptual Art (2020)Documents of Doubt: The Photo…The Photographic Activity of Postmodernism (1980) (2018)The Photographic Activity of …Review: Henri Cartier-Bresson: The Decisive Moment Elliott Erwitt: Pittsburgh 1950 (2018)Review: Henri Cartier-Bresson…Photography after Photography: Gender, Genre, History (2017)Photography after Photography…The Photographic Image in Digital Culture (2013)The Photographic Image in Dig…Social Commentary on Photographic Images (2013)Social Commentary on Photogra…Photography as Performative Process (2012)Photography as Performative P…What Is Contemporary Art? (2009)What Is Contemporary Art?The Question of Photographic Meaning in Roland Barthes’ Camera Lucida (2009)The Question of Photographic …Visual Analysis. New Developments in the Interpretative Analysis of Video and Photography (2008)Visual Analysis. New Developm…A New Camera for High-Resolution Infrared Imaging of Works of Art (2006)A New Camera for High-Resolut…Light and Dark: The Daguerreotype and Art History (2004)Light and Dark: The Daguerreo…Teaching Visual Culture: Curriculum, Aesthetics, and the Social Life of Art (2003)Teaching Visual Culture: Curr…The Originality of the Avant-garde and other Modernist Myths (1986)The Originality of the Avant-…A Short History of Photography (1972)Absorption and Theatricality (1980)Camera Lucida: Reflections on Photography (2001)REFLECTOGRAPHY OF PAINTINGS USING AN INFRARED VIDICON TELEVISION SYSTEM (1969)National Gallery Technical Bulletin (1979)A Scanning Device for Infrared Reflectography (1990)Trans-illumination and trans-irradiation with digital cameras: Potentials and limits of two imaging techniques used for the diagnostic investigation of paintings (2011)Surface and Interface Investigation of a 15th Century Wall Painting Using Multispectral Imaging and Pulse-Compression Infrared Thermography (2021)Imaging Cultural Heritage at Different Scales: Part I, the Micro-Scale (Manufacts) (2023)Mobilising Visual Ethnography: Making Routes, Making Place and Making Images (2008)The Interpretation of Pictures and the Documentary Method (2008)Using Video for a Sequential and Multimodal Analysis of Social Interaction: Videotaping Institutional Telephone Calls (2008)Seeing health and illness worlds – using visual methodologies in a sociology of health and illness: a methodological review (2002)Family photographs and domestic spacings: a case study (2003)The Cultural Logic of Photo-Based Meme Genres (2014)What's the Point of an Index? or, Faking Photographs (2008)Contemporary Art and the Politics of Aesthetics (2009)The Cambridge History of Modernism (2017)Visual Culture Jam: Art, Pedagogy, and Creative Resistance (2004)Principles of Possibility: Considerations for a 21st-Century Art & Culture Curriculum (2007)Why the Arts Don't Do Anything: Toward a New Vision for Cultural Production in Education (2013)Reframing Pictures: Reading the Art of Appropriation (2016)The Cambridge Introduction to Postmodernism (2015)The Contemporary (2017)Contemporary Strategies for Creative and Critical Teaching in the 21st Century (2018)
this work references cited by second hop

References

  • 1986The Originality of the Avant-garde and other Modernist Myths601 cited
  • 2003Teaching Visual Culture: Curriculum, Aesthetics, and the Social Life of Art438 cited
  • 2013The Photographic Image in Digital Culture371 cited
  • 2009What Is Contemporary Art?217 cited
  • 2008Visual Analysis. New Developments in the Interpretative Analysis of Video and Photography138 cited
  • 2006A New Camera for High-Resolution Infrared Imaging of Works of Art43 cited
  • 2017Photography after Photography: Gender, Genre, History26 cited
  • 2018The Photographic Activity of Postmodernism (1980)16 cited
  • 2020Negative/Positive : A History of Photography15 cited
  • 2012Photography as Performative Process7 cited
  • 2009The Question of Photographic Meaning in Roland Barthes’ Camera Lucida6 cited
  • 2013Social Commentary on Photographic Images5 cited
  • 2004Light and Dark: The Daguerreotype and Art History3 cited
  • 2020Documents of Doubt: The Photographic Conditions of Conceptual Art2 cited
  • 2018Review: Henri Cartier-Bresson: The Decisive Moment Elliott Erwitt: Pittsburgh 19502 cited
  • 2020

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Forces and FormsTheories and Methods in the History of Photography
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