SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Exposing Uganda’s Cultural Mosaic: An examination of the Endingidi’s origins, educational and aesthetic dimensions
9 references·0 citing·31 second hop
Exposing Uganda’s Cultural Mosaic: An examination of the Endingidi’s origins, educational and aesthetic dimensions (2024)Exposing Uganda’s Cultural Mosaic: An exa…Beginning postcolonialism (2011)Beginning postcolonialismUgandan Theatre: paradigm shifts (2004)Ugandan Theatre: paradigm shi…Representing African Music: Postcolonial Notes, Queries, Positions (2004)Representing African Music: P…Postcolonialism: Theory, Practice or Process? (2002)Postcolonialism: Theory, Prac…The Grammar of Domination and the Subjection of Agency: Colonial Texts and Modes of Evidence (2000)The Grammar of Domination and…Strategies for music education in Africa: Towards a meaningful progression from tradition to modern (1999)Strategies for music educatio…The Post-Colonial Studies Reader (1996)The Post-Colonial Studies Rea…Roots of Black Music: The Vocal, Instrumental and Dance Heritage of Africa and Black America (1985)Roots of Black Music: The Voc…The Musical Instruments of the Native Races of South Africa (1967)The Musical Instruments of th…History of the theatre (1968)Voice of America (2003)The Twentieth Century Performance Reader (2013)How To Do Things With Words (1975)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Post‐feminism and popular culture (2004)Rethinking Critical Theory and Qualitative Research (2011)Decolonial AI: Decolonial Theory as Sociotechnical Foresight in Artificial Intelligence (2020)A Critique of Postcolonial Reason: Toward a History of the Vanishing Present (2000)Language and Agency (2001)The Age Grade System in Uweppa-Uwano of Etsako in Edo State: A Study in the Resilience of Tradition (2001)The Role of Consumer Agency in the Globalization Process in Emerging Markets (2004)Witchcraft and Colonial Rule in Kenya, 1900–1955 (2011)Explorations in Animist Materialism: Notes on Reading/Writing African Literature, Culture, and Society (2003)From Binarism Back to Hybridity: A Postcolonial Reading of Management and Organization Studies (2006)The Multinational Corporation as a Third Space: Rethinking International Management Discourse on Knowledge Transfer Through Homi Bhabha (2008)“Two Souls, Two Thoughts, Two Unreconciled Strivings”: The Sound of Double Consciousness in Roland Hayes’s Early Career (2010)The Role of Trust as an Informal Institution in the Informal Sector in Africa (2013)Heritage and Transformation of an African Popular Music (2024)A Critical Discourse Analysis of World Music as the `Other' in Education (2002)An International Perspective on Music Education for Adults (2012)Decolonizing Dance Pedagogy: Application of Pedagogies of Ugandan Traditional Dances in Formal Dance Education (2015)Zulu women's music (1983)Shoot the sergeant, shatter the mountain: The production of masculinity in zulu ngoma song and dance in post-apartheid South Africa (2004)How Music and Instruments Began: A Brief Overview of the Origin and Entire Development of Music, from Its Earliest Stages (2017)Music and Politics in Africa (2004)The Cambridge Companion to Percussion (2016)Loving Music Till It Hurts (2019)Between Prospero and Caliban: Colonialism, Postcolonialism, and Inter-identity (2002)Deepening, broadening and re-asserting a postcolonial interrogative space in organization studies (2011)
this work references cited by second hop

References

  • 1996The Post-Colonial Studies Reader2,151 cited
  • 2011Beginning postcolonialism485 cited
  • 2004Representing African Music: Postcolonial Notes, Queries, Positions447 cited
  • 2002Postcolonialism: Theory, Practice or Process?331 cited
  • 1967The Musical Instruments of the Native Races of South Africa144 cited
  • 1999Strategies for music education in Africa: Towards a meaningful progression from tradition to modern58 cited
  • 2000The Grammar of Domination and the Subjection of Agency: Colonial Texts and Modes of Evidence44 cited
  • 1985Roots of Black Music: The Vocal, Instrumental and Dance Heritage of Africa and Black America27 cited
  • 2004Ugandan Theatre: paradigm shifts8 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work