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Documentary songwriting in prison: ‘I am good ‘bout myself’
7 references·0 citing·29 second hop
Documentary songwriting in prison: ‘I am good ‘bout myself’ (2024)Documentary songwriting in prison: ‘I am …Explaining How Community Music Engagement Facilitates Social Cohesion through Ritualised Belonging (2022)Explaining How Community Musi…Jail Guitar Doors: A case study of guitar and songwriting instruction in Cook County Jail (2020)Jail Guitar Doors: A case stu…Inside the fences: Pedagogical practices and purposes of songwriting in an adult male U.S. state prison (2017)Inside the fences: Pedagogica…Christopher Small's Concept of Musicking: Toward a Theory for Choral Singing Pedagogy in Prison Contexts (2016)Christopher Small's Concept o…Strategic masculinities: Vulnerabilities, risk and the production of prison masculinities (2015)Strategic masculinities: Vuln…Re-sounding: Refuge and reprise in a prison choral community (2010)Re-sounding: Refuge and repri…A theory of human motivation. (1943)A theory of human motivation.The Discovery of Grounded Theory; Strategies for Qualitative Research (1968)THE DISCOVERY OF GROUNDED THEORY: STRATEGIES FOR QUALITATIVE RESEARCH. By Barney G. Glaser and Anselm L. Strauss. Chicago: Aldine Publishing Company, 1967. 271 pp. $6.75 (1968)Hegemonic Masculinity (2005)“They’re All Up in the Gym and All That, Tops Off, Fake Tan.” Embodied Masculinities, Bodywork and Resistance Within Two British Prisons (2018)“Changing the channel”: Hybrid masculinity in a men’s prison (2020)Gender, caste, and spatiality: intersectional emergence of hegemonic masculinities in Indian Punjab (2022)Society and the Adolescent Self-Image (1965)Experience and Education (1986)The MOS 36-item short-form health survey (SF-36). I. Conceptual framework and item selection. (1992)Rethinking Music Education and Social Change (2021)Qualitative Analysis for Social Scientists (1987)Three Approaches to Qualitative Content Analysis (2005)Constructing grounded theory : a practical guide through qualitative analysis (2006)8. Intellectual Development (2022)Music facilitator experiences of working in asylum seeker centres: Complexities, dilemmas and opportunities (2022)Personal expressiveness: Philosophical and psychological foundations. (1990)Bars behind bars: the impact of a women's prison choir on social harmony (2005)Harmony within the walls: Perceptions of worthiness and competence in a community prison choir (2012)Bowling alone (2000)Interaction Ritual Chains (2004)Social Capital and Community Resilience (2014)Music, Encounter, Togetherness (2024)The Analyst's Dilemma: Praise, Criticism and the Fallibility of Music Analysis (2025)Developing learning identities in and through music: A case study of the outcomes of a music programme in an Australian juvenile detention centre (2012)Musical learning and desistance from crime: the case of a ‘Good Vibrations’ Javanese gamelan project with young offenders (2014)The Power of Music (2022)A three-component conceptualization of organizational commitment (1991)Why we buy what we buy: A theory of consumption values (1991)The "What" and "Why" of Goal Pursuits: Human Needs and the Self-Determination of Behavior (2000)
this work references cited by second hop

References

  • 1943A theory of human motivation.25,668 cited
  • 2015Strategic masculinities: Vulnerabilities, risk and the production of prison masculinities140 cited
  • 2016Christopher Small's Concept of Musicking: Toward a Theory for Choral Singing Pedagogy in Prison Contexts43 cited
  • 2017Inside the fences: Pedagogical practices and purposes of songwriting in an adult male U.S. state prison40 cited
  • 2010Re-sounding: Refuge and reprise in a prison choral community39 cited
  • 2022Explaining How Community Music Engagement Facilitates Social Cohesion through Ritualised Belonging28 cited
  • 2020Jail Guitar Doors: A case study of guitar and songwriting instruction in Cook County Jail5 cited

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