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A case study of Tian Yali and the contemporary revival of Chinese folk art
12 references·0 citing·41 second hop
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References

  • 1997Questions of Cultural Identity4,283 cited
  • 2011Introduction: Toward an Integrative View of Identity466 cited
  • 2013Heritage Regimes and the State385 cited
  • 2004Creativity, Communication and Cultural Value343 cited
  • 2003Crafting authenticity: The validation of identity in self-taught art276 cited
  • 2014Revisiting the “Art Bias” in Lay Conceptions of Creativity129 cited
  • 1999Selling Tradition: Appalachia and the Construction of an American Folk 1930-194087 cited
  • 2010The State of Art History: Contemporary Art42 cited
  • 2017The Chinese Paper-Cut: From Local Inventories to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity29 cited
  • 2000Selling Tradition: Appalachia and the Construction of an American Folk, 1930-194022 cited
  • 2015Reinventing Chinese Tradition20 cited
  • 2024Framework for Digital Transformation of Intangible Cultural Heritage: Chinese Paper-Cutting Art19 cited

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