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SEPARATING THE MUSIC FROM THE ARTIST: IMMORAL ARTISTS AND MUSICAL RECEPTION
16 references·1 citing·44 second hop
SEPARATING THE MUSIC FROM THE ARTIST: IMMORAL ARTISTS AND MUSICAL RECEPTION (2025)SEPARATING THE MUSIC FROM THE ARTIST: IMM…Music in Concentration Camps 1933–1945 (2017)Music in Concentration Camps …Understanding Music (2015)Understanding MusicArtist Authenticity: How Artists’ Passion and Commitment Shape Consumers’ Perceptions and Behavioral Intentions across Genders (2014)Artist Authenticity: How Arti…Theories of Authorship (2013)Theories of AuthorshipPositioning person brands in established organizational fields (2012)Positioning person brands in …Music and Identity (2011)Music and IdentityAuthenticity Revisited: The Rock Critic and the Changing Real (2010)Authenticity Revisited: The R…Human Brands: Investigating Antecedents to Consumers’ Strong Attachments to Celebrities (2006)Human Brands: Investigating A…Musicology: The Key Concepts (2004)Musicology: The Key ConceptsCrafting authenticity: The validation of identity in self-taught art (2003)Crafting authenticity: The va…Authenticity as authentication (2002)Authenticity as authenticationKey concepts in popular music (1998)Key concepts in popular musicManaging Legitimacy: Strategic and Institutional Approaches (1995)Managing Legitimacy: Strategi…Dancing in the distraction factory: music television and popular culture (1993)Dancing in the distraction fa…Authenticity Revisited (1988)Authenticity RevisitedA Theory of Cognitive Dissonance (1957)A Theory of Cognitive Dissona…Listening to the artist’s identity: Music, artist, and hegemony (2026)Listening to the artist’s ide…Evaluating Structural Equation Models with Unobservable Variables and Measurement Error (1981)On the Evaluation of Structural Equation Models (1988)Self-determination theory and the facilitation of intrinsic motivation, social development, and well-being. (2000)What Makes a Human Brand Authentic? Identifying the Antecedents of Celebrity Authenticity (2015)Authenticity under threat: When social media influencers need to go beyond self-presentation (2018)The impact of social media celebrities' posts and contextual interactions on impulse buying in social commerce (2019)Art As Collective Action (1974)The Social Production of Art (1981)Staging Tourism: Bodies on Display from Waikiki to Sea World (1999)“What's your story?” A life-stories approach to authentic leadership development (2005)Crafting Brand Authenticity: The Case of Luxury Wines* (2005)The role of live streaming in building consumer trust and engagement with social commerce sellers (2018)The Presentation of Self in Everyday Life. (1956)Distinction: A Social Critique of the Judgement of Taste* (2018)Personal Branding: Interdisciplinary Systematic Review and Research Agenda (2018)Transforming Consumers into Brands: Tracing Transformation Processes of the Practice of Blogging (2018)The authentic virtual influencer: Authenticity manifestations in the metaverse (2023)The Presentation of Self in Everyday Life (2023)The need to belong: Desire for interpersonal attachments as a fundamental human motivation. (1995)The "What" and "Why" of Goal Pursuits: Human Needs and the Self-Determination of Behavior (2000)Self-branding, ‘micro-celebrity’ and the rise of Social Media Influencers (2016)Instafamous and social media influencer marketing (2019)Influencer marketing: Social media influencers as human brands attaching to followers and yielding positive marketing results by fulfilling needs (2020)Studying Popular Music (1990)Running with the devil: power, gender, and madness in heavy metal music (1993)Club cultures: music, media and subcultural capital (1996)‘… This little ukulele tells the truth’: indie pop and kitsch authenticity (2010)It’s really not hip to be a hipster: Negotiating trends and authenticity in the cultural field (2013)Institutionalized Organizations: Formal Structure as Myth and Ceremony (1977)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)Toward a Theory of Stakeholder Identification and Salience: Defining the Principle of who and What Really Counts (1997)WHY COMPANIES GO GREEN: A MODEL OF ECOLOGICAL RESPONSIVENESS. (2000)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)Modes of Network Governance: Structure, Management, and Effectiveness (2007)Arts and aesthetics: Marketing and cultural production (2006)Creativity and Innovation in the Music Industry (2006)The Developing Field of Christian Congregational Music Studies (2014)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)Identity, consumption and narratives of socialization (2009)Class, Control, and Classical Music (2019)Uses and Perceptions of Music in Times of COVID-19: A Spanish Population Survey (2021)Inequity In Social Exchange (1965)Partial Least Squares Structural Equation Modeling (PLS-SEM) Using R (2021)
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References

  • 1957A Theory of Cognitive Dissonance24,224 cited
  • 1995Managing Legitimacy: Strategic and Institutional Approaches19,858 cited
  • 2006Human Brands: Investigating Antecedents to Consumers’ Strong Attachments to Celebrities1,144 cited
  • 2002Authenticity as authentication485 cited
  • 1993Dancing in the distraction factory: music television and popular culture425 cited
  • 2003Crafting authenticity: The validation of identity in self-taught art276 cited
  • 2004Musicology: The Key Concepts217 cited
  • 2011Music and Identity181 cited
  • 2012Positioning person brands in established organizational fields161 cited
  • 2014Artist Authenticity: How Artists’ Passion and Commitment Shape Consumers’ Perceptions and Behavioral Intentions across Genders130 cited
  • 2010Authenticity Revisited: The Rock Critic and the Changing Real125 cited
  • 1998Key concepts in popular music119 cited
  • 2013Theories of Authorship84 cited
  • 1988Authenticity Revisited61 cited
  • 2015Understanding Music5 cited
  • 2017Music in Concentration Camps 1933–19454 cited

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Cited by

  • 2026Listening to the artist’s identity: Music, artist, and hegemony2 cited