SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Autonomist/Formalist Aesthetics, Music Theory, and The Feminist Paradigm of Soft Boundaries
4 references·2 citing·25 second hop
Autonomist/Formalist Aesthetics, Music Theory, and The Feminist Paradigm of Soft Boundaries (1994)Autonomist/Formalist Aesthetics, Music Th…American Musicology in the 1990s (1991)American Musicology in the 19…The Scientific Image of Music Theory (1989)The Scientific Image of Music…Music Theory and 'Good Comparison': A Viennese Perspective (1989)Music Theory and 'Good Compar…Is Western Art Music Superior? (1986)Is Western Art Music Superior?Philosophy of Music (2011)Philosophy of MusicPerformance and Hypermetric Transformation (2002)Performance and Hypermetric T…The Living Work: Organicism and Musical Analysis (1980)Music Theory, Phenomenology, and Modes of Perception (1986)Schumann and Late Eighteenth-Century Narrative Strategies (1987)Understanding Humor and Understanding Music (1993)Metric and Hypermetric Dissonance in the Menuetto of Mozart's Symphony in G Minor, K. 550 (2016)Tonality (2023)Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)Feminine Endings: Music, Gender, and Sexuality (1992)Feminine Endings: Music, Gender, and Sexuality (1992)Gendering opera: Italian opera as the feminine other in Britain, 1700–42 (1994)Beethoven Scholars and Beethoven's Sketches (1978)Schenker's Mysterious Five (1999)Orientations, Criteria, Segments: A General Theory of Segmentation for Music Analysis (2001)An Informal Introduction to Some Formal Concepts from Lewin's Transformational Theory (2004)Musical Works and Performances (2001)Music—Drastic or Gnostic? (2004)The Unanswered Question: Six Talks at Harvard (1977)Contemplating Music: Challenges to Musicology (1989)The History of Remembered Innovation: Tradition and Its Role in the Relationship between Musical Works and Their Performances (1993)Performance Strategies in Three Recordings of Bach’s Invention No. 1 in C Major: A Comparative Study (2012)Solutions to the “Great Nineteenth-Century Rhythm Problem” in Horowitz’s Recording of the Theme from Schumann’sKreisleriana, Op. 16, No. 2 (2012)Brahmsian Articulation (2021)Still Like That Old Time Rock and Roll: Tribute Bands and Historical Consciousness in Popular Music (2015)How to Protect Traditional Folk Music? Some Reflections upon Traditional Knowledge and Copyright Law (2017)Performance values - an artistic research perspective on music performance anxiety in classical music (2019)
this work references cited by second hop

References

  • 1989Music Theory and 'Good Comparison': A Viennese Perspective58 cited
  • 1986Is Western Art Music Superior?42 cited
  • 1989The Scientific Image of Music Theory41 cited
  • 1991American Musicology in the 1990s13 cited

Cited by

  • 2002Performance and Hypermetric Transformation6 cited
  • 2011Philosophy of Music4 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work