SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Modal Tonicization in Rock: The Special Case of the Lydian Scale
6 references·2 citing·35 second hop
Modal Tonicization in Rock: The Special Case of the Lydian Scale (2013)Modal Tonicization in Rock: The Special C…The Cadential IV in Rock (2011)The Cadential IV in RockTriadic Modal and Pentatonic Patterns in Rock Music (2010)Triadic Modal and Pentatonic …Sectional Tonality and Sectional Centricity in Rock Music (2009)Sectional Tonality and Sectio…The Beatles as Musicians: The Quarry Men Through Rubber Soul (1999)The Beatles as Musicians: The…Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents (1994)Harmonic Function in Chromati…Patterns of harmony (1992)Patterns of harmonyDiatonic and Chromatic Tonicization in Rock Music (2019)Diatonic and Chromatic Tonici…A New Lydian Theory for Frank Zappa's Modal Music (2014)A New Lydian Theory for Frank…Syncopation in rock: a perceptual perspective (1999)Music in the Galant Style (2007)A corpus analysis of rock harmony (2011)Timbre as Differentiation in Indie Music (2012)Using Drumbeats to Theorize Meter in Quintuple and Septuple Grooves (2020)Teleology in Verse–Prechorus–Chorus Form, 1965–2020 (2022)On Popular Music (1941)Studying Popular Music (1990)Studying Popular Music (1991)The Structure, Function, and Genesis of the Prechorus (2011)Counterpoint in Rock Music: Unpacking the “Melodic-Harmonic Divorce” (2015)Chord Context and Harmonic Function in Tonal Music (2018)Introduction to Post-Tonal Theory (1991)Studying Popular Music (1991)The Beatles as musicians: Revolver through the Anthology (1999)Rockin’ Out (2011)Scalar Shift in Popular Music (2011)Elevating form and elevating modulation (2014)Analysing popular music: theory, method and practice (1982)Interpreting Popular Music (2000)Guitar Voicing in Pop-Rock Music (2011)Subverting the Verse–Chorus Paradigm (2013)Fragile, Emergent, and Absent Tonics in Pop and Rock Songs (2017)Tonal implications of the diatonic set (1981)The melodic-harmonic ‘divorce’ in rock (2007)Adventures in Tonal Gravity: George Russell’s Analysis of Maurice Ravel’s “Forlane” (2023)Classic Music: Expression, Form, and Style (1981)The Classical Cadence: Conceptions and Misconceptions (2004)A new concept of teaching and learning ABBA's songs in the university solfeggio classroom (2022)Chromatic Transformations in Nineteenth-Century Music (2002)Dualist tonal space and transformation in nineteenth-century musical thought (2002)Hugo Riemann and the birth of modern musical thought (2004)(Ac)cumulative Form in Pop-Rock Music (2004)Expertise and Reason in Creative Thinking: Evidence from Case Studies and the Laboratory (2006)Modes of Expertise in Creative Thinking: Evidence from Case Studies (2006)
this work references cited by second hop

References

  • 1999The Beatles as Musicians: The Quarry Men Through Rubber Soul196 cited
  • 2010Triadic Modal and Pentatonic Patterns in Rock Music165 cited
  • 1994Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents154 cited
  • 1992Patterns of harmony81 cited
  • 2011The Cadential IV in Rock43 cited
  • 2009Sectional Tonality and Sectional Centricity in Rock Music35 cited

Cited by

  • 2014A New Lydian Theory for Frank Zappa's Modal Music8 cited
  • 2019Diatonic and Chromatic Tonicization in Rock Music5 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work