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Johann Mattheson's Der vollkommene Capellmeister: A revised translation with critical commentary
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Johann Mattheson's Der vollkommene Capellmeister: A revised translation with critical commentary (1981)Johann Mattheson's Der vollkommene Capell…Cadence (2024)CadenceThe (Co)Evolution of Language and Music Under Human Self-Domestication (2023)The (Co)Evolution of Language…Emotion and Performance Practices (2022)Emotion and Performance Pract…Bach and the Dance of Humankind (2020)Bach and the Dance of Humanki…THE POLONAISE AND MAZURKA IN MID-EIGHTEENTH-CENTURY DRESDEN: STYLE AND STRUCTURE IN THE MUSIC OF JOHANN CHRISTIAN ROELLIG (2016)THE POLONAISE AND MAZURKA IN …Prelude on a Partimento (2015)Prelude on a PartimentoBach's Feet: The Organ Pedals in European Culture (2012)Bach's Feet: The Organ Pedals…‘Phrasing – the Very Life of Music’: Performing the Music and Nineteenth-Century Performance Theory (2012)‘Phrasing – the Very Life of …Negotiating between work, composer and performer: rewriting the story of notational progress (2002)Negotiating between work, com…Joining the historical performance debate (2002)Joining the historical perfor…Bach's Well-tempered clavier (2002)Bach's Well-tempered clavierThe fortnight fallacy: A revised chronology for Beethoven'sChrist on the Mount of Olives,op. 85, and Wielhorsky Sketchbook (1991)The fortnight fallacy: A revi…The Postmodern Condition: A Report on Knowledge (1984)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)Mind in Society: The Development of Higher Psychological Processes (1978)The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)The Oxford Handbook of Topic Theory (2013)FOUR STEPS TOWARDS PARNASSUS: JOHANN DAVID HEINICHEN'S METHOD OF KEYBOARD IMPROVISATION AS A MODEL OF BAROQUE COMPOSITIONAL PEDAGOGY (2019)Poetics of Music in the Form of Six Lessons (1970)Brahmsian Articulation (2021)Der vollkommene Capellmeister (2025)Ludwig van Beethovens Leben (1901)Thayer's Life of Beethoven (1964)Beethoven: impressions by his contemporaries (1967)The International Encyclopedia of Dance (1998)The New Grove dictionary of music and musicians (2001)The study of fugue (1958)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Theories of fugue from the age of Josquin to the age of Bach (2001)The Origin of Speech (1960)The origin of speech. (1960)Cross-Cultural Psychology: Research and Applications (1992)Nocturnal selective pressures on the evolution of human musicality as a missing piece of the adaptationist puzzle (2023)Hominin musical sound production: palaeoecological contexts and self domestication (2024)Emotion and Meaning in Music (1957)The Sense of an Ending: Studies in the Theory of Fiction (1967)Classic Music: Expression, Form, and Style (1981)Molyneux's Question: Vision, Touch and the Philosophy of Perception (1978)Beyond the soundtrack: representing music in cinema (2008)
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Cited by

  • 2024Cadence21 cited
  • 2012Bach's Feet: The Organ Pedals in European Culture19 cited
  • 2023The (Co)Evolution of Language and Music Under Human Self-Domestication19 cited
  • 1991The fortnight fallacy: A revised chronology for Beethoven'sChrist on the Mount of Olives,op. 85, and Wielhorsky Sketchbook14 cited
  • 2015Prelude on a Partimento12 cited
  • 2012‘Phrasing – the Very Life of Music’: Performing the Music and Nineteenth-Century Performance Theory12 cited
  • 2002Bach's Well-tempered clavier10 cited
  • 2002Joining the historical performance debate3 cited
  • 2002Negotiating between work, composer and performer: rewriting the story of notational progress3 cited
  • 2016THE POLONAISE AND MAZURKA IN MID-EIGHTEENTH-CENTURY DRESDEN: STYLE AND STRUCTURE IN THE MUSIC OF JOHANN CHRISTIAN ROELLIG3 cited
  • 2022Emotion and Performance Practices3 cited
  • 2020Bach and the Dance of Humankind2 cited

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